{"id":9363,"date":"2023-09-18T14:04:29","date_gmt":"2023-09-18T12:04:29","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=9363"},"modified":"2023-10-04T09:22:14","modified_gmt":"2023-10-04T07:22:14","slug":"petra-sabictoo-much-double-coded29-9-19-10-2023","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/petra-sabictoo-much-double-coded29-9-19-10-2023\/","title":{"rendered":"Petra \u0160abi\u0107
Too much \/ Double coded
29.9. – 19.10.2023."},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” translate_y=”-80″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” color_overlay_2=”#ffffff” overlay_strength=”1″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”padding-4-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9368″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][divider line_type=”No Line” custom_height=”30″][vc_column_text]Autorica: Petra \u0160abi\u0107<\/strong>
\nNaziv izlo\u017ebe: Too much \/ Double coded<\/strong>
\nTrajanje izlo\u017ebe: 29.9.2023 \u2013 19.10.2023.<\/strong>[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][vc_column_text]Petra \u0160abi\u0107 slikarski stvara nano\u0161enjem, mapiranjem, asocijacijama, koje objedinjuju nebesko (inspirirano babilonskim kartama zvijezda), arhetipsko, unutarnje i vanjsko. Platno je tu niz slojeva u neprestanoj konstrukciji i dekonstrukciji. Kao iz horizonta doga\u0111anja, u mekoj kosi crne rupe ostaju otisci svega \u0161to je crno platno upilo. To zasi\u0107enje, tromost, komunicira dubinu i vu\u010de nas u subprostor unutra\u0161njosti. Samim tim \u010dinom preslikavanja, ponovnog nano\u0161enja, slojevitosti, umjetnica stvara dubinu ne fizi\u010dku, ne iluzornu nego grade\u0107i unutarnje prostore, na slici nevidljiva, a ipak prisutne, koji se umna\u017eaju, povezuju i razvezuju.<\/p>\n

Iste principe slojevitosti prenosi na radove na pleksiglasu, koji \u010dine drugi dio postava. Radovi nastaju istim principom mapiranja i umna\u017eanja, polifokalnosti, nefokusirane dinamike, dok sama zakonitost materijala otvara druge mogu\u0107nosti upisivanja. Transparentan pleksiglas omogu\u0107ava promatra\u010du ulazak u sliku, njegov je odraz tako dio mre\u017ee i mapiranja, unosi novu dinamiku svojom refleksijom i time njegova ili njezina vanj\u0161tina postaje unutra\u0161njost slike. Dok se u prvom dijelu, na slikama na platnu, prostor otvara u unutra\u0161njost, ovdje se prostor rada otvara u vanjski prostor, promatra\u010du. Na taj se na\u010din u ovom ciklusu doga\u0111a dvostruka ekspanzija.<\/p>\n

Tre\u0107i je dio fizi\u010dki iskorak, postavljenje motiva doslovno u prostor. Staklenka s ostacima gumice koje funkcioniraju kao ostatak procesa, trodimenzionalni ostatak rada na dvodimenzionalnoj povr\u0161ini implicira isklizavanje slikarske iluzije u stvarni prostor. Isto pretakanje dvodimenzionalnog u trodimenzionalno umjetnica posti\u017ee ponavljanjem motiva unutra\u0161njih i vanjskih mapa na papiru izrezanom na razli\u010dite oblike i postavljenom u trodimenzionalni prostor. Time se radovi koji nemaju jedan fokus jo\u0161 intenzivnije preta\u010du i me\u0111usobno stvaraju nova zna\u010denja, ovisno o kutu gledanja. Namjerno porozan, taktilan i netrajan, ovaj otisak u prostoru osjetljiv je na atmosferu, pokrete, suptilna prostorna strujanja kojima je i fizi\u010dki izlo\u017een te se tako simboli\u010dki ne \u0161iri u prostor ve\u0107 je njegov integralni dio. Tim \u010dinom umjetnica oprostoruje sliku. Promatraju\u0107i svaki od principa kao dio ciklusa primjetna je stupnjevitost iskaza od integracije unutarnjeg, vanjskog prostora, prema doslovnom izlasku u prostor u kojemu rad postaje dio situacije i dio postoje\u0107e kontekstualne i energetske mre\u017ee.
\n– Josipa Buba\u0161[\/vc_column_text][divider line_type=”No Line” custom_height=”10″][nectar_btn size=”large” open_new_tab=”true” button_style=”regular” button_color_2=”extra-color-gradient-1″ icon_family=”default_arrow” url=”https:\/\/www.knap.hr\/centar\/wp-content\/uploads\/2023\/10\/GD-deplijan-Petra-Sabic_Too-much_Double-coded.pdf” text=”Knji\u017eica (PDF)” css_animation=”zoomIn” margin_top=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” translate_y=”-90″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”O autorici”][vc_column_text]Petra \u0160abi\u0107 ro\u0111ena je u Zagrebu 1995. godine i odrasla u Bjelovaru. Diplomirala je Likovnu kulturu na Akademiji likovnih umjetnosti u Zagrebu 2019. godine s nagradom Akademijskog vije\u0107a ALU za najuspje\u0161nije diplomante. Dobitnica je pohvale Ak. vije\u0107a ALU za uspje\u0161an rad u 2016.\/2017. Diplomirala je Slikarstvo na Akademiji likovnih umjetnosti u Zagrebu 2021. godine s pohvalom Magna Cum Laude.<\/p>\n

Dobitnica je Rektorove nagrade (2018.) Sveu\u010dili\u0161ta u Zagrebu i Nagrade publike u sklopu izlo\u017ebe Erste Fragmenti 17 (2021.). Sudjelovala je na Mediterranean Scientific Conference u projektu Dani Ede Murti\u0107a te u izradi scenografije za koncerte u programu Hrvatskog glazbenog zavoda (2017. \u2013 2018.) i likovnoj akciji oslikavanja panela u organizaciji CKIM Izlo\u017eba na cesti (2018.). Izradila je ilustracije za publikaciju me\u0111unarodnog knji\u017eevnog natje\u010daja Lapis Histriae 2020 i ilustracije za prvu ina\u010dicu ilustriranog Rje\u010dnika stranih rije\u010di Bratoljuba Klai\u0107a (Galerija Modulor u Zagrebu (2019.) i Uli\u010dna galerija u Beogradu (2019.)). Izlagala je na 10 samostalnih i 27 skupnih izlo\u017ebi u Hrvatskoj (Galerija Prica, Pogon Jedinstvo, Galerija SC, Galerija Forum, Lauba, Galerija \u0160ira) i inozemstvu (Indija, Vijetnam).<\/p>\n

Radila je kao voditeljica likovnih i kreativnih radionica u brojnim kulturnim centrima i udrugama (Zagreb, Bjelovar, Mali Lo\u0161inj). \u010clanica je stru\u010dnog \u017eirija za odabir radova i produkciju izlo\u017ebi u Programu likovnog amaterizma Grada Zagreba u suradnji s Centrom za kulturu Maksimir, vanjska suradnica Muzeja suvremene umjetnosti u Zagrebu i Visokog u\u010dili\u0161ta Algebra u Zagrebu te koordinatorica projekata u Hrvatskom dru\u0161tvu likovnih umjetnika. \u010clanica je HDLU-a i HZSU-a. \u017divi i radi u Zagrebu.<\/p>\n

KONTAKT<\/p>\n

psabic1@gmail.com<\/a><\/p>\n

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