Sanjive slike ove\u0107ih formata Marike Kaarne evociraju dugu tradiciju figurativnog slikarstva,\u00a0 ali i kulturolo\u0161ko naslije\u0111e nadrealizma. Na prvi pogled stilski naivna, a tematski djetinje zaigrana, Kaarnina ulja i akrili na platnu vi\u0161e su od prikaza svakodnevnog \u017eivota. Svojim \u017eivim bojama toplog, veselog spektra i mno\u0161tvom \u010desto nespojivih figura, grade simboli\u010dki, a nerijetko i enigmatsko dvosmisleni, dru\u0161tveni komentar. Ugledat \u0107emo na njima odbjegle utvare bajkovitih princeza u proslavi Valentinova iza bodljikavih \u017eica, psihodeli\u010dni party uz ples mrtvaca i lete\u0107e tanjure, kri\u010davo rozog Bambija na vrtnoj zabavi koja okuplja \u017eenske arhetipske figure, drsko ili smjerno uperene ka nama, odbjeglog pu\u017ea iz klimatski zagrijanog vrta s kojima se mora tek nau\u010diti sura\u0111ivati; pregr\u0161t je to pop referenci smje\u0161tenih u za\u010dudnim pejza\u017eima, koje se slijevaju i prelijevaju sa svijetlim, ali i \u00a0tamnijim stranama dana\u0161njice. Ponekad je u \u017eivotu bitno naopako okrenuti o\u010di !, <\/em>re\u0107i \u0107e autorica.<\/p>\n Petri Hyt\u00f6nen u svojim plutaju\u0107im, mobilnim slikarskim instalacijama, spaja tehniku akvarela, crte\u017ea i fotografije s grafiti sprejom, mije\u0161aju\u0107i humor, psihodeliju, studiju ljudske prirode, te srednjovjekovnu ikonografiju. Za rad Na zemlji, kao na nebu i negdje izme\u0111u <\/em>izradio je trodimenzionalne, pokretne slike u akvarelu u kojima u prvi plan stavlja odbjegla, zagubljena ljudska bi\u0107a i moralna pitanja s kojima se ona neprestano suo\u010davaju. Hyt\u00f6nen sustavno puca u mjehuri\u0107e koje razdvojeni pojedinci grade oko sebe. Dok jedan od njih ima vjetar pod krilima, drugi se strmoglavljuje ravno prema nemilosrdnoj zemlji. \u00a0Gotovo nevidljiv, ali sredi\u0161nji lik instalacije je pe\u0107inski \u010dovjek; taj davni praotac koji \u017eivi u svima nama iz generacije u generaciju. Unato\u010d \u010dinjenici da se ljudska bi\u0107a razvijaju i napreduju stvaraju\u0107i tehnolo\u0161ke inovacije, kulturu, tradiciju svakodnevnog su\u017eivota, sustave vjerovanja i eti\u010dke putokaze, ona ipak, po Hyt\u00f6nenu, uvijek sa sobom nose \u010dovjeka \u017eivotinju, sa svim svojim nagonima i zakopanim \u017eeljama, \u00a0nerijetko stvarala\u010dkih, ali i razaraju\u0107e destruktivnih motivacija po okoli\u0161 i druge<\/em> u pozadini. Homo deus, homo sapiens i tamo negdje izme\u0111u.<\/p>\n Sve to \u010dini Bo\u017eanstvenu komediju<\/em> 21. stolje\u0107a, koja se u sinergiji ovo dvoje autora prelama pred na\u0161im o\u010dima.<\/p>\n <\/p>\n O AUTORIMA:<\/p>\n Petri Hyt\u00f6nen (r. 1963.) diplomirao je 1988. godine na Akademiji likovnih umjetnosti u Helsinkiju, gdje je predavao slikarstvo u razdoblju od 2009.-2014. Osniva\u010d je umjetni\u010dke skupine JoyMen i Gallery Rankka. Godine 2001. dobio je tre\u0107u nagradu Carnegie Art Award. Imao je brojne samostalne i skupne izlo\u017ebe u Finskoj i inozemstvu. Njegov rad je zastupljen u brojnim zbirkama uklju\u010duju\u0107i: EMMA, G\u00f6teborg Museum of Art, Helsinki Art Museum, Malm\u00f6 konstmuseum, Nordic Watercolor Museum, Saastamoinen Foundation Art Collection, Finnish National Gallery \u2013 Kiasma, Pro Artibus Foundation, Uppsala Art Museum i Wihuri Art Collection. Jedan je od kustosa i organizatora Porvoo trijenala 2024.<\/p>\n Marika Kaarna (r. 1966.) diplomirala je 1989. na Akademiji likovnih umjetnosti u Helsinkiju. Izlagala je na brojnim izlo\u017ebama u Finskoj i inozemstvu. Rad joj je zastupljen u zbirkama: Helsinki Art Museum, Paulo Foundation, Haaga-Helia. Jedna je od osniva\u010dica umjetni\u010dke grupe Gallery Rankka.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” translate_y=”-80″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”English”][vc_column_text]The artist couple Kaarna-Hyt\u00f6nen lives and works in the small town of Porvoo near Helsinki. Their living and working space is located in the very historic center, in a typical local hundred-year-old wooden house in pastel colors. In Galerija Doga\u0111anja, they will face the audience with their recent paintings, clearly reflecting the context and geographies of their creation. Marika Kaarna’s dreamy large-format paintings evoke the long tradition of figurative painting, but also the cultural legacy of surrealism. At first glance, stylistically naive, and thematically childishly playful, Kaarna’s oils and acrylics on canvas are more than depictions of everyday life. With their vivid colors of a warm, cheerful spectrum and a multitude of often incompatible figures, they build a symbolic, and enigmatically ambiguous, social commentary. On them, we will see ghost like apparitions of fairy-tale princesses celebrating Valentine’s Day behind barbed wire, a psychedelic party with a dead man’s dance and flying saucers, a flashy pink Bambi at a garden party that gathers female archetypal figures, brazenly or knowingly pointing at us, an escaped snail from a climate-heated garden with whom we have yet to learn to cooperate; it’s a handful of diverse pop references located in uncanny landscapes, overflown with the bright, but also darker sides of today’s existence. Sometimes in life it is important to turn your eyes upside down!<\/em>, Kaarna states while commenting upon her paintings.\u00a0On the other hand, in his floating, mobile painting installations, Petri Hyt\u00f6nen combines the technique of watercolor, drawing and photography with graffiti spray, mixing humor, psychedelia, the study of human nature, and medieval iconography. For the work On earth, as it is in heaven and something in between<\/em>, he creates three-dimensional, floating watercolor paintings in which he foregrounds runaway, lost human beings and the moral questions they constantly face. Hyt\u00f6nen systematically bursts the bubbles that the anthropocentrism builds around itself. Some of his characters have wind under their wings, the others fall straight towards the merciless earth. Almost invisible, but the central character of the installation is a caveman, that ancient ancestor who lives in all of us from generation to generation. The human animal with all its primeval drives and latent desires, as artist may suggest. Despite the fact that human beings develop and progress by creating technological innovations, culture, traditions of everyday coexistence, belief systems and ethical guidelines, they repeatedly manifest themselves by their creative, but also devastatingly destructive motivations and exclusionary behaviors. Homo deus, homo sapiens and something in between.\u00a0All this makes up the Divine Comedy of the 21st century, which unfolds before our eyes in the humorous and vivid encounter of these two artists and their pictorial universe.\u00a0Ivana Me\u0161trov<\/p>\n Petri Hyt\u00f6nen (b. 1963) graduated in 1988 from the Academy of Fine Arts in Helsinki, where he taught painting from 2009-2014. He is the founder of the art group JoyMen and Gallery Rankka. In 2001, he received the third Carnegie Art Award. He had numerous solo and group exhibitions in Finland and abroad. His work is represented in numerous collections including: EMMA, Gothenburg Museum of Art, Helsinki Art Museum, Malm\u00f6 konstmuseum, Nordic Watercolor Museum, Saastamoinen Foundation Art Collection, Finnish National Gallery \u2013 Kiasma, Pro Artibus Foundation, Uppsala Art Museum and Wihuri Art Collection. He is one of the curators and organizers of the 2024 Porvoo Triennial.<\/p>\n Marika Kaarna (b. 1966) graduated in 1989 from the Academy of Fine Arts in Helsinki.She exhibited at numerous exhibitions in Finland and abroad. Her work is represented in the collections of Helsinki Art Museum, Paulo Foundation, Haaga-Helia. 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