Ulaz je slobodan![\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” enable_animation=”true” animation=”fade-in-from-bottom” animation_easing=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css_animation=”none” css=”.vc_custom_1678804511358{margin-top: 15px !important;}” max_width=”500″]Na drugom koncertu ciklusa Glazbeni Knap u 2023. nastupit \u0107e sjajan duo istaknutih doma\u0107ih glazbenika, sopranistica Arijana Gigliani Philipp <\/strong>i pijanist Ivan Bato\u0161. <\/strong>Umjetnici \u0107e izvesti zanimljiv i raznolik program sastavljen od djela N. Rimski-Korsakova, A. Skrjabina, B. \u0160ipu\u0161a, D. Detonija, P. I. \u010cajkovskog, A. Ginastere, J. Hatzea.<\/p>\n Program<\/em><\/p>\n Nikolaj Rimski-Korsakov: Aleksandar Skrjabin:<\/strong> Berislav \u0160ipu\u0161: Dubravko Detoni: Petar Ilji\u0107 \u010cajkovski:<\/strong> Alberto Ginastera: Argentinski ples br. 2 Josip Hatze:<\/strong> Ivan Bato\u0161<\/strong> je ro\u0111en u Splitu 1979. godine. Klavir je po\u010deo svirati kod \u010dasne sestre Pavle Negovec pri dominikanskom samostanu u rodnom gradu. Prva u\u010diteljica klavira vrlo mu je rano dala zadatak da korepetira dje\u010dji crkveni zbor i time mu potakla strast za umjetni\u010dkom suradnjom koja ga nije napustila do danas. Osnovnu i srednju glazbenu \u0161kolu zavr\u0161io je u Splitu u klasi Ivane Oreb, a na Muzi\u010dkoj akademiji u Zagrebu je diplomirao 2002. (\u0110uro Tikvica) i magistrirao 2009. (Lovro Pogoreli\u0107). [vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”80px” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” left_padding_desktop=”200″ constrain_group_2=”yes” right_padding_desktop=”200″ left_padding_tablet=”0″ constrain_group_4=”yes”…<\/p>\n","protected":false},"author":1,"featured_media":8494,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":{"0":"post-8474","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-glazbeni-knap"},"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/8474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=8474"}],"version-history":[{"count":23,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/8474\/revisions"}],"predecessor-version":[{"id":8672,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/8474\/revisions\/8672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/8494"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=8474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=8474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=8474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>\u041e \u0447\u0435\u043c \u0432 \u0442\u0438\u0448\u0438 \u043d\u043e\u0447\u0435\u0439 <\/strong>(U no\u0107noj ti\u0161ini)
\n\u041d\u0435 \u0432\u0435\u0442\u0435\u0440 \u0432\u0435\u044f \u0441 \u0432\u044b\u0441\u043e\u0442\u044b <\/strong>(Vjetar pu\u0161e sa visine)
\n\u041a\u043e\u0433\u0434\u0430 \u0432\u043e\u043b\u043d\u0443\u0435\u0442\u0441\u044f \u0436\u0435\u043b\u0442\u0435\u044e\u0449\u0430\u044f \u043d\u0438\u0432\u0430<\/strong> (Kada se nji\u0161u po\u017eutjela polja \u017eitarica)<\/p>\n
\nPreludij op. 11 br 4 u e-molu<\/strong>
\nPreludij op. 11 br 14 u es-molu<\/strong><\/p>\n
\nTri pjesme na stihove Jure Ka\u0161telana<\/strong><\/p>\n
\n49 telegrama za klavir<\/strong><\/p>\n
\n\u041d\u0435\u0442 \u0442\u043e\u043b\u044c\u043a\u043e \u0442\u043e\u0442 \u043a\u0442\u043e \u0437\u043d\u0430\u043b<\/strong> (Malo je onih koji su znali)
\n\u041d\u0438 \u0441\u043b\u043e\u0432\u0430 \u0434\u0440\u0443\u0433 \u043c\u043e\u0439<\/strong> (Niti jednog slova od tebe prijatelju moj)
\n\u0422\u043e \u0431\u044b\u043b\u043e \u0440\u0430\u043d\u043d\u0435\u044e \u0432\u0435\u0441\u043d\u043e\u0439\u00a0 Op. 38 No. 2<\/strong> (Bilo je to u rano prolje\u0107e)<\/p>\n
\nDanza de la moza donosa<\/strong> (Ples ljupke djevojke)<\/p>\n
\nSuzi
\nVe\u010de na \u0161koju
\nSerenada\u00a0<\/strong>[\/vc_column_text][divider line_type=”No Line” custom_height=”32″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”top-bottom” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”40px” translate_x=”150″ translate_x_tablet=”0″ translate_x_phone=”0″ text_align=”center” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8493″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”40px” translate_x=”150″ translate_x_tablet=”0″ translate_x_phone=”0″ text_align=”center” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8495″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”10″ bottom_padding=”10″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Vi\u0161e o umjetnicima”][vc_column_text]Arijana Gigliani Philipp<\/strong> je ro\u0111ena u Sarajevu gdje je zavr\u0161ila srednju glazbenu \u0161kolu, odjel violine i solo pjevanja. Nakon zavr\u0161etka studija solo pjevanja na Muzi\u010dkoj Akademiji Sveu\u010dili\u0161ta u Zagrebu u klasi prof. Lidije Horvat Dunjko, nastavlja svoje usavr\u0161avanje kod renomiranog pedagoga i opernog prvaka Stojana Stojanova Gan\u010deva.
\nU suradnji s pijanistom Ivanom Bato\u0161em redovito odr\u017eava koncerte diljem Hrvatske kao i u inozemstvu (Austrija, Njema\u010dka, \u010ce\u0161ka, Srbija, BiH i dr.).
\nKao solistica nastupila je sa Zagreba\u010dkim solistima, Sarajevskom filharmonijom, Orkestrom HNK Osijek, Simfonijskim orkestrom HRT-a, Dubrova\u010dkim simfonijskim orkestrom, Puha\u010dkim orkestrom Hrvatske vojske, Tambura\u0161kim orkestrom HRT-a, Kvartetom Rucner, Hrvatskim komornim orkestrom, Zagreba\u010dkim komornim orkestrom itd.
\nDebitirala je u operi Ivana pl. Zajca ‘Nikola \u0160ubi\u0107 Zrinjski’ u ulozi Jelene u Narodnom kazali\u0161tu u Sarajevu te je s istom ulogom ostvarila gostovanja i izvrsne kritike u Bosni i Hercegovini.
\nU HNK Ivana pl. Zajca u Rijeci nastupila je u operama \u2018Macbeth\u2019 (Dama) G. Verdija i \u2018Seviljski brija\u010d’ (Berta) G. Rossinija, dok je u HNK Osijek ostvarila nastupe u operama \u2018Nikola \u0160ubi\u0107 Zrinjski\u2019 (Jelena) I. pl. Zajca te gostovanja u operama van mati\u010dne pozornice, u \u2018Normi\u2019 (Adalgisa) V. Bellinija i \u2018Nabuccu\u2019 (Abigaille) G. Verdija.
\nSura\u0111ivala je kao solistica s istaknutim dirigentima, kao \u0161to su V. \u0160utej, N. Bareza, J. Mari\u0107, N. Mato\u0161evi\u0107, D. Vu\u010di\u0107, F. Pavi\u0161i\u0107, M. Tutavac, O. Bomo\u0161tar, T. Fa\u010dini i dr.
\nU sezoni 2006.\/2007. djelovala je kao stalni gost Narodnog pozori\u0161ta Sarajevo. Godine 2008. dobitnica je prve nagrade i pobjednik je cjelokupnog me\u0111unarodnog natjecanja ‘Lazar Jovanovi\u0107’ u Beogradu (Srbija). U o\u017eujku 2010. godine dobitnica je jo\u0161 jedne prve nagrade na Me\u0111unarodnom natjecanju solo pjeva\u010da ‘Bruna \u0160piler’ u Herceg Novom (Crna Gora).
\nOd 2008. godine bavi se iznimno uspje\u0161no pedago\u0161kim radom u srednjoj glazbenoj \u0161koli Zlatka Balokovi\u0107a te sa svojim u\u010denicima ostvaruje preko dvije stotine dr\u017eavnih i me\u0111unarodnih nagrada iz solo pjevanja i komorne glazbe. Uz koncertni, kazali\u0161ni i pedago\u0161ki rad njeguje i ljubav prema komornoj glazbi djeluju\u0107i kao \u010dlan trija Solenza. Sastav je odr\u017eao velik broj nastupa u Hrvatskoj i inozemstvu, a nosa\u010d zvuka ‘Mozaik hrvatskih skladatelja’, koji su umjetnici snimili u izdanju izdava\u010dke ku\u0107e Croatia records, bio je nominiran za diskografsku nagradu Porin.<\/p>\n
\nUsavr\u0161avao se na seminarima svjetski poznatih pijanista i pedagoga: Anatolija Katza, Viktora Mer\u017eanova (Dubrovnik 1998.), Davida Livelya (Baden bei Wien 2001.), Arba Valdme (K\u00f6ln 2002.), te na Warsaw Piano Workshop 2003. g.
\nOsniva\u010d je komornog Trija GIG s kojim od 2006. g. redovito koncertira po cijeloj Hrvatskoj. Nastupio je na vode\u0107im festivalima u Hrvatskoj (MBZ, Splitsko ljeto, Osor, VG brass festival, Tribina HDS Opatija) solisti\u010dki i u ansamblima s doma\u0107im i inozemnim instrumentalistima. U zagreba\u010dkom Teatru &td sudjelovao je kao pijanist i voditelj ansambla u izvedbama komornog baleta Vodoinstalater G. Tudora i N. Manojlovi\u0107. 2017. godine bio je gost predava\u010d u klasi Arna Bornkampa na Konzervatoriju u Amsterdamu kao stipendist programa ERASMUS+. Dobitnik je ve\u0107eg broja nagrada za svoju umjetni\u010dku djelatnost. Dugogodi\u0161nji je umjetni\u010dki suradnik Muzi\u010dke akademije u Zagrebu, a od sije\u010dnja 2022. docent je na Odjelu Glazbe i medija Sveu\u010dili\u0161ta Sjever u Vara\u017edinu.
\n2019. godine nizom solisti\u010dkih koncerata pod nazivom \u201eVarijacije smijeha i zaborava\u201c popra\u0107enih videoprojekcijama autora Domagoja Zovka obilje\u017eio je 90. godi\u0161njicu ro\u0111enja Milana Kundere u vi\u0161e hrvatskih gradova. U studenom iste godine u duu s Gordanom Tudorom sudjelovao na Re:formers festu u Moskvi, festivalu suvremene glazbe, na kojem su u Velikoj dvorani Skrjabinovog muzeja izveli cjelove\u010dernji recital sa skladbama hrvatskih skladatelja. U nemogu\u0107nosti odr\u017eavanja koncerata u\u017eivo u razdoblju karantene 2020. godine, svoj doprinos 250. obljetnici Beethovenovog ro\u0111enja ostvario je izvedbom Varijacija na Diabellijevu temu kroz 33 dnevne objave na Facebooku na digitalnom klaviru iz svog dnevnog boravka.[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"