{"id":5896,"date":"2021-11-24T18:50:58","date_gmt":"2021-11-24T17:50:58","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5896"},"modified":"2021-12-28T08:54:18","modified_gmt":"2021-12-28T07:54:18","slug":"vedran-ruzic-forbidden-melody","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/vedran-ruzic-forbidden-melody\/","title":{"rendered":"Vedran Ru\u017ei\u0107
“Forbidden melody”"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Vedran Ru\u017ei\u0107<\/strong><\/p>\n

“Forbidden melody”<\/strong><\/p>\n

12.11. –\u00a0 11.12. 2021.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Izlo\u017eba\u00a0Forbidden Melody<\/em>\u00a0direktna je umjetni\u010dka reakcija na pandemijski\u00a0lock-down<\/em>\u00a0i posljedi\u010dno onemogu\u0107avanje rada umjetnicima. Vedran Ru\u017ei\u0107, slikar i glazbenik, radovima bilje\u017ei iskustvo pandemije. Karakteristi\u010dno za Ru\u017ei\u0107evo stvarala\u0161tvo je povezivanje\u00a0jazz<\/em>\u00a0glazbe (Ru\u017ei\u0107 je\u00a0jazz<\/em> kontrabasist) i likovnosti, odnosno prevo\u0111enje glazbe u likovno iskustvo.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_video link=”https:\/\/www.youtube.com\/watch?v=5Xdiq1leWMs”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Ru\u017ei\u0107 ovim ciklusom odaje pone\u0161to mra\u010dniju sliku tog spoja – koristi motiv partitura koje, primjerice, stvara zabijanjem \u010davala kao notnih zapisa, stvaraju\u0107i tako ritam, vizualno- ritmi\u010dke zapise prisilne izolacije. Tako\u0111er, prisvaja poznati motiv bodljikave \u017eice koja u ovom slu\u010daju predstavlja \u017eivot za vrijeme\u00a0\u00a0lock- downa,<\/em>\u00a0kada su umjetnici, posebice oni \u010dija se umjetnost realizira u direktnom kontaktu s publikom, onemogu\u0107eni djelovati i dijeliti. Bodljikavu \u017eicu tako i\u0161\u010ditavamo kao zatvor, prepreku do \u017eeljenog iskustva. Osim markacije prisilne zatvorenosti u vlastitom intimnom svijetu, Ru\u017ei\u0107 bodljikovu \u017eicu \u00a0tretira kao notnu partituru, spajaju\u0107i tako \u00a0vizualno i glazbeno u pro\u010di\u0161\u0107en i intrigantan likovni jezik. Duhoviti element je kori\u0161tenje glazbenog znaka korone u partituri koje ozna\u010dava produljenje tona impliciraju\u0107i produljeno trajanje krize.<\/p>\n

Otpu\u0161tanje tenzija odra\u017eava triptih u kojemu u prvom dijelu vidimo ritmi\u010dki gusto raspore\u0111enu bodljikavu \u017eicu koja se postepeno \u00a0razrje\u0111uje i zavr\u0161ava u zadnjem dijelu u ti\u0161ini, odnosno u ravnim linijama. Za umjetnika, ti\u0161ina je bitan element glazbe i umjetnosti op\u0107enito, ali i predstavlja bitno vrijeme bivanja sa sobom. Tako po\u010detna buka i prenatrpanost razli\u010ditih podra\u017eaja zavr\u0161ava u pro\u010di\u0161\u0107enju, uti\u0161avanju i iskustvu ti\u0161ine kao psiholo\u0161kog i umjetni\u010dkog potencijala. Upravo je prisilno usporavanje otvorilo novi prostor i nau\u010dilo nas oslu\u0161kivati pulsacije ispod povr\u0161ine koje je mogu\u0107e \u010duti jedino u ti\u0161ini. \u00a0Indikativno je \u0161to su radovi prikazani na izlo\u017ebi nastali od na\u0111enih materijala u okolini umjetnikovog doma, te odr\u017eavaju svojevrsni\u00a0arte povera<\/em>\u00a0senzibilitet. Zacementirane knjige, koje ipak ne gube mogu\u0107nost listanja, dojmovi zagreba\u010dkog potresa i pandemije zapisani u cementu, te rad od opu\u0161aka koje umjetnik skuplja za vrijeme \u0161etanja pla\u017eom, formira u kru\u017eni oblik i naziva\u00a0Sunflower,\u00a0<\/em>odreda odra\u017eavaju prenamjenu svakodnevnog, zapu\u0161tenog i odba\u010denog, kreativni odnos prema zate\u010denom stanju te transfer iskustva krize u direktan i jasan umjetni\u010dki izri\u010daj.<\/p>\n

Josipa Buba\u0161[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”5897,5898,6264,6263,6265,6267,6266″ layout=”4″ masonry_style=”true” item_spacing=”default” gallery_style=”8″ load_in_animation=”none” img_size=”full”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

12.11. –\u00a0 11.12. 2021.<\/p>\n","protected":false},"author":1,"featured_media":5897,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-5896","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izlozbe"},"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5896"}],"version-history":[{"count":9,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5896\/revisions"}],"predecessor-version":[{"id":6271,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5896\/revisions\/6271"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5897"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}