{"id":5688,"date":"2021-10-14T21:13:33","date_gmt":"2021-10-14T19:13:33","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5688"},"modified":"2021-12-28T08:56:12","modified_gmt":"2021-12-28T07:56:12","slug":"danijel-zezelj-srce","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/danijel-zezelj-srce\/","title":{"rendered":"Danijel \u017de\u017eelj
“Srce”"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Danijel \u017de\u017eelj<\/strong><\/p>\n

“Srce”<\/strong><\/p>\n

15.10. – 6.11. 2021.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Tema oko koje \u017de\u017eelj razvija rad je ljubav, u svojim razli\u010ditim manifestacijama. Crno – bijeli, dinami\u010dni vizualni svijet u prve dvije pri\u010de nadopunjuje tekst, reduciran, poeti\u010dan, inspiriran, kako autor navodi djelima Zamjatina, “Pri\u010di o onom najva\u017enijem” za El Sud i pri\u010dama “Ljubav” i “Ko\u0161tica od vi\u0161nje”, Jurija Ole\u0161e za Ljubav.<\/p>\n

Protagoniste prve pri\u010de, El Sud, autor smje\u0161ta u prepoznatljiv, ali i bezvremenski, socijalno politi\u010dki obojen kontekst – nagla\u0161avaju\u0107i obespravljenost i eksploataciju kao elemente koji motiviraju aktivnost likova, unutar kojih se probijaju i stavljaju na ku\u0161nju prijateljska i romanti\u010dna ljubav.<\/p>\n

Izlo\u017eba Danijela \u017de\u017eelja Srce obuhva\u0107a predstavljanje istoimene grafi\u010dke novele u izdanju Petikata, dijelovi koje su izlo\u017eeni u razli\u010ditim formatima i audiovizualni performans s glazbenicima Alenom i Nenadom Sinkauzom i Marcom Quarantottom. Radovi nastali tijekom performansa postaju dio izlo\u017ebe. Strip album sastoji se od tri pri\u010de, od kojih su dvije (El Sud i Ljubav) prethodno objavljenje, dok je Srce robota prvi put objavljena.[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Artist talk (video)<\/strong>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_video link=”https:\/\/www.youtube.com\/watch?v=yOgs9R1LNI0″][divider line_type=”No Line” custom_height=”20″][vc_column_text]Live painting u kazali\u0161tu Knap<\/strong>[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][vc_video link=”https:\/\/www.youtube.com\/watch?v=gg4gXLKQEbc”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]U drugoj pri\u010di, Ljubav, \u017de\u017eelj suprotstavlja mehanicisti\u010dki svijet pravilnosti Isaaca Newtona potencijalu perspektive koja nastaje iz zanosa ljubavi. Tenzija izme\u0111u pojedinaca i njegovih unutarnjih zakonitosti, sfere do\u017eivljajnosti i potreba, i krutosti i svijeta predstavlja kontrapunkt na kojemu pri\u010de grade ritam, realiziran majstorskim vizualnim izrazom ali i sa\u017eetim, poeti\u010dnim tekstom koji nije li\u0161en apsurda. Pri\u010da je posveta ruskoj knji\u017eevnosti 1920 -30 tih godina.<\/p>\n

Zadnja je pri\u010da bez teksta, i mo\u017eemo ju promatrati kao svojevrsni nastavak Ljubavi. Ljubav robota govori o odnosu \u010dovjeka i ma\u0161ine i neophodnosti ljudskoga u mehanicisti\u010dkom. Ova distopija istovremeno je pri\u010da o odlasku, razdvajanju dvije \u017eivotne perspektive, mehanicisti\u010dke i organske.<\/p>\n

Sa\u017eet, komprimiran vizualni jezik, ritmi\u010dki naboji nastali kontrastiranjem svjetla i sjene, dinamika postavljanja kvadrata, kao i samo kadriranje – zumiranje, detalji, elementi su koji grade atmosferu radova. U njima je osjetno otu\u0111enje, u smislu pozicionirana pojedinaca nasuprot svijeta, koje je realizirano natruhama, vi\u0161e sporednim nego doslovnim elementima pri\u010de. Okolina je prijete\u0107a, negostoljubiva ili suvi\u0161e kruta i determinira. U njoj se pojavljuje ljubav kao smisao u besmislu ili barem jedina prihvatljiva verzija \u017eivota. U pri\u010di Ljubavi, kontrapunkt krutosti mehanicisti\u010dkog svijeta i svijeta koji izvire iz energije ljubavi realiziran je susretom fiktivnog I. Newtona, kao predstavnika mehanicisti\u010dkog svijeta i glavnog protagonista kojemu ljubav otvara druga\u010diju perspektivu, u kojoj misli o\u017eivljuju i ostvaruju se na o\u0161trici izme\u0111u unutarnjeg i vanjskog, iracionalnog i apsurdnog. Ljubav je pri tome prijetnja redu i poretku, ona je sila koja se javlja van kontrole i pojedinca i sustava i kao takva je zastra\u0161uju\u0107a, prevratni\u010dka \u010dak i politi\u010dna. Pa ipak, i sam bi \u017de\u017eeljev fiktivni Newton radije egzistirao u nepredvidivom univerzumu ljubavi, u kojemu lete\u0107i kukci ocrtavaju linije gra\u0111evina u zraku, nego bio zarobljen u svijetu sigurnosti u kojemu sve, osim \u010dovjeka, ima svoje mjesto.<\/p>\n

Josipa Buba\u0161<\/p>\n

 <\/p>\n

Danijel \u017de\u017eelj je strip autor, animator, slikar i ilustrator. Stripove i ilustracije objavljivao je u Evropi, Africi, Aziji, Australiji, Sjevernoj, Srednjoj i Ju\u017enoj Americi. Radi s izdava\u010dima DC Comics, Marvel, Dark Horse, Heavy Metal, The New York Times, Harper’s Magazine, Dargaud, Gl\u00e9nat, Grifo Edizioni, itd. Autor je dvadeset pet strip albuma i sedam animiranih filmova. Suosniva\u010d je umjetni\u010dke radionice Petikat.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”5692,5690,5689,5691,5708,6272,6273,6274,6275″ layout=”4″ masonry_style=”true” item_spacing=”default” gallery_style=”8″ load_in_animation=”none” img_size=”full”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

15.10. – 6.11. 2021.<\/p>\n","protected":false},"author":1,"featured_media":5707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":{"0":"post-5688","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izlozbe"},"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5688"}],"version-history":[{"count":26,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5688\/revisions"}],"predecessor-version":[{"id":6276,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5688\/revisions\/6276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5707"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}