{"id":5327,"date":"2014-06-14T18:10:17","date_gmt":"2014-06-14T16:10:17","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5327"},"modified":"2021-06-14T18:11:33","modified_gmt":"2021-06-14T16:11:33","slug":"teatar-gaudeamus-2014","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/teatar-gaudeamus-2014\/","title":{"rendered":"Teatar Gaudeamus 2014."},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text css=&#8221;.vc_custom_1623687067474{margin-bottom: 3% !important;}&#8221;]<strong>TEATAR GAUDEAMUS<\/strong><\/p>\n<p>Rebecca Agi\u0107:<em> Gloria<\/em><\/p>\n<p>Redateljica: Rebecca Agi\u0107<\/p>\n<p>Krenimo vremenskom crtom i pogledajmo, blagonaklono, romansiranu autobiografsku eskapadu vlasnice teksta.<\/p>\n<p>SARA \u0110OMLIJA \u2013 Voditeljica grupe, Gloria<br \/>\nFILIP \u017dULEC \u2013\u00a0 Daniel, Jack Twist,\u010clan Komisije 2<br \/>\nANA \u017dULEC \u2013 \u017deljka, Gloria<br \/>\nJOSIPA \u0160EGOTA \u2013 Gloria, \u010clan komisije 3<br \/>\nJOSIP \u010cELAN \u2013 Frank, Daniel<br \/>\nSARA RAZUM \u2013 Gloria, Diva, Dobitnica Oscara<br \/>\nDINO HALVAD\u017dI\u0106 \u2013 Stra\u0161ilo, \u010clan komisije 1, Robert DeNiro<br \/>\nHELENA MIKULI\u0106 \u2013 Gloria, Angie, Dr. Lecter<br \/>\nANTONIO STANE\u0160I\u0106 \u2013 Marko, Batman dijete, \u010clan komisije 3, Mr. Pink<br \/>\nIVAN SABLJAK \u2013 Glumac, \u010clan komisije 4, Mr. Blond[\/vc_column_text]<div class=\"cq-accordion2 \" style=\"width:;\" data-titlecolor=\"#ffffff\" data-titlebg=\"#ed242a\" data-titlehoverbg=\"#ed242a\" data-titlehovercolor=\"#ffffff\" data-displayfirst=\"\"><dl><dt><a class=\"accordionTitle \" style=\"background-color:#ed242a;background-image:url();padding:;color:#ffffff;border-color:;\" href=\"#\"><i class=\"accordion-icon\">+<\/i><span style=\"font-size:;\">VI\u0160E O PREDSTAVI<\/span><\/a><\/dt><dd class=\"accordionItem accordionItemCollapsed\"><div class=\"accordion-content\" style=\"background-color:;color:#333333;font-size:;\">R.Agi\u0107; GLORIA,<\/p>\n<p>&#8211; Nominacija za najbolju predstavu<\/p>\n<p>Osvrt stru\u010dnog povjerenstva 38. SKAZ-a<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>\u017deljka Tur\u010dinovi\u0107<\/u><\/strong><\/p>\n<p>Predstava govori o djevojci Gloriji koja, kako samo ime ka\u017ee, \u017eeli biti slavna, poznata i javna osoba. Njezine \u017eelje usmjerene su na gluma\u010dki poziv i sav \u0161u\u0161ur koji ga obavija. Na tom putu kreacije teksta i predstave, autorica koristi autobiografske \u010dinjenice, iskustva, \u017eudnje i razo\u010daranja koja komentira vedro i duhovito. Njezino su oru\u017eje persifla\u017ea i\u00a0 ironija u pokazuivanju \u017eivota s one afirmativne strane. Dobar je redateljski izbor nekoliko Glorija u predstavi, \u0161to daje mogu\u0107nost ve\u0107ini mladih glumica u predstavi da poka\u017eu svoje gluma\u010dko umije\u0107e. Svi glumci u predstavi talentirani su i sposobni da u kratkim prizorima naprave skice karaktera koje odli\u010dno funkcioniraju u cjelini te predstavu \u010dine atraktivnom i \u0161armantnom.<\/p>\n<p><strong><u>Hrvoje Ivankovi\u0107<\/u><\/strong><\/p>\n<p>Predstava fragmentarne dramatur\u0161ke strukture, s nizom uglavnom kratkih i efektnih slika, zasnovanih na parafraziranju i poigravanju razli\u010ditim simbolima, znakovima i pojavama iz svijeta pop-kulture (prije svega filma i glazbe). Koncepcijski precizno postavljena i redateljski dobro vo\u0111ena, predstava je osvojila i bogatstvom gluma\u010dkih ostvarenja koja su, \u010dak i tamo gdje su bila pomalo nedora\u0111ena, donijela sa sobom puno mladena\u010dke svje\u017eine i plasti\u010dnosti u oblikovanju karaktera i tipova. Posebna vrijednost predstave le\u017ei u \u010dinjenici da je gotovo svatko od glumaca igrao po nekoliko uloga, pa je tako i naslovna uloga djevojke znakovita imena, Gloria, \u010dije \u010de\u017enje, zanosi i snovi o slavi predstavljaju tematsku okosnicu teksta, podijeljena izme\u0111u nekoliko glumica, \u0161to je predstavu dodatno dinamiziralo, a temu nametnulo kao univerzalnu.<\/p>\n<p><strong><u>Georgij Paro<\/u><\/strong><\/p>\n<p>Izvedba koja &#8220;razoru\u017eava&#8221;. Rijetko se na sceni vidi tako ludo talentirana grupa glumaca koji sve mogu i u\u017eivaju u tome \u0161to rade. Dobro slo\u017een tekst, pro\u017eet autoironijom, persifla\u017eom, koju glumci prihva\u0107aju kao svoj senzibilitet i pogled na \u017eivot i svijet u kojem \u017eive. Inteligentno. Spontano. Rije\u010dju: izvrsno.<\/div><\/dd><\/dl><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":5326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":["post-5327","post","type-post","status-publish","format-standard","has-post-thumbnail","category-teatar-gaudeamus"],"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5327"}],"version-history":[{"count":1,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5327\/revisions"}],"predecessor-version":[{"id":5328,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5327\/revisions\/5328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5326"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}