{"id":5277,"date":"2020-10-14T14:01:51","date_gmt":"2020-10-14T12:01:51","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5277"},"modified":"2021-12-28T09:45:18","modified_gmt":"2021-12-28T08:45:18","slug":"the-action-of-disapple-aring-deyan-clement","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/the-action-of-disapple-aring-deyan-clement\/","title":{"rendered":"The action of disAPPLE aring – Deyan Clement"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]The action of disAPPLE aring – Deyan Clement<\/strong><\/p>\n

15.10. – 30.10. 2020.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Izlo\u017ebu srpskog umjetnika mla\u0111e generacije, \u010diji su radovi izlagani i izvo\u0111eni na internacionalnim izlo\u017ebama i festivalima, a koji djeluje pod umjetni\u010dkim imenom Deyan Clement, karakterizira jednostavna, pro\u010di\u0161\u0107ena i direktna poetika. Tri video rada komuniciraju simboli\u010dnom gestom i kretnjom, svedenim na esenciju u kojoj se prelama bezna\u0111e i svojevrsna sizifovska uzaludnost. Rad Departure_2017 nastao je iz, prema autorovim rije\u010dima, “osje\u0107aja nemo\u0107i koji su proiza\u0161li iz diskriminacije i marginalizacije, te nemogu\u0107nosti promjene mjesta boravka.” Umjetnik, nogom vezan u\u017eetom za stup, poput zatvorenika sa zatvorskom kuglom oko noge, unato\u010d razli\u010ditim gestama i strategijama ne uspijeva oti\u0107i. Pored njega je kofer, uzaludni i neupotrebljivi simbol odlaska i promjene. U drugom videu (And so on…_2019), umjetnik premje\u0161ta kamene blokove s jedne strane na drugu, svakim \u010dinom potvr\u0111uju\u0107i uzaludnost akcije. Akcija podsje\u0107a na legendarne JNA vje\u017ebe premje\u0161tanja cigli, treniranja uzaludnog strpljenja i izdr\u017eljivosti. No, u ovom slu\u010daju ne postoji naredba sa vi\u0161e instance, radi se o \u010distom unutarnjem imperativu, repeticiji uzaludne geste, naporu, prkosu i upiranju prstom u besmisao. Oba su videa crno \u2013 bijela, \u0161to zajedno sa stati\u010dnim kadrom pridonosi ogoljenosti atmosfere. Gesta svjedo\u010di o dubokoj egzistencijalisti\u010dkoj usamljenosti, u duhu beckettovskog usavr\u0161avanja neuspjeha koji se u ovom slu\u010daju temelji na nemogu\u0107nosti promjene, uzaludnosti akcije, zaglavljenosti u vremenu i prostoru. Tre\u0107i video The Netheralands project_2018 nastaje, prema autorovim rije\u010dima, kao “skoro kriminalan ‘dokumentarac’, u kojem kori\u0161tenjem aplikacije za putovanje pronalazim doma\u0107ine kod kojih tajno snimam.” Ti su kadrovi montirani zajedno sa snimkama performansa kojim autor opisuje trenutna stanja, a koja ponovo karakterizira direktna, melankoli\u010dna, uzaludna gesta. Video zavr\u0161ava kadrom iz U\u017eica, u kojemu je umjetnik snimljen kroz prozor, kroz granje. Taj je kadar svojesvrtan citat sli\u010dnog kadra snimljenog u Rotterdamu, te se u njemu stvara poveznica, zatvara se krug kroz specifi\u010dnu prisutnost i atmosferu koju Clemet gradi i uspostavlja. Usputna, no vizualno dojmljiva zbivanja, sporadi\u010dne primjedbe o humanosti i autenti\u010dnosti te prisutnost umjetnika \u010dine dnevnik putovanja u kojemu umjetnik, iako dislociran, nastavlja nositi osobni teret, pounutrenu i uvijek prisutnu te\u017einu egzistencije, koja je, prema rije\u010dima autora, postala dio identiteta i “bez kojega ne bi znao tko je.”<\/p>\n

Josipa Buba\u0161<\/p>\n

 <\/p>\n

BIO
\nDeyan Clement (1989, Beograd) \u0161kolovao se na Institutu Marine Abramovi\u0107 i Fakultetu savremenih umjetnosti u Beogradu, gdje je i diplomirao na slikarskoj katedri. Aktivno izla\u017ee od 2008. godine. Naj\u010de\u0161\u0107e djeluje u polju video performansa. Dobitnik je vi\u0161e nagrada za svoj rad i dio je brojnih privatnih kolekcija u svijetu.<\/p>\n

Najva\u017enije izlo\u017ebe:<\/p>\n

2020 Vreme 244\u201933 \u2013 IVA.lab, galerija Podroom, Beograd, Srbija
\n2020 Video Art Maiden, Kalamata, Gr\u010dka
\n2020 Izlo\u017eba praznih d\u017eepova, Dom omladine, Beograd, Srbija (solo)
\n2019 Regionalni salon, Gradska galerija U\u017eice, Srbija
\n2019 V Festival de Video nodoCCS, Barselona, \u0160panija
\n2019 GRISIA youth, Rovinj, Hrvatska
\n2019 Janela Video-arte, ZONA Lamego, Argentina
\n2019 Videntities, Gradska galerija Beograd, Srbija
\n2019 Inspired by Persephone, Artig galerija, Barselona, \u0160panija
\n2018 Novembarski salon, Narodni muzej Kraljevo, Srbija
\n2018 Mangelos nagrada, Remont galerija, Beograd, Srbija
\n2018 Skoro pa otpor, U10 galerija, Beograd, Srbija
\n2017 Doba obnove, galerija Reflektor, U\u017eice, Srbija
\n2017 Borderland esc, Gradska galerija U\u017eice, Srbija
\n2017 BelgradePhotoMonth, Gradska galerija Vra\u010dar, Beograd, Srbija
\n2017 DIFFERENT WORLDS, CEHOP, Bratislava, Slova\u010dka; Viltin galerija, Budimpe\u0161ta, Ma\u0111arska
\n2017 The good wife, Kulturni centar Banski dvor, Banjaluka, Bosna i Hercegovina (solo)
\n2017 The good wife, BPM & UNILIB, Beograd, Srbija (solo)
\n2016 The artist is dead, Kulturni centar GRAD, Beograde, Srbija (solo)
\n2016 DIFFERENT WORLDS, Photon galerija Be\u010d, Austrija; Kino \u0160i\u0161ka, Ljubljana, Slovenija
\n2016 DIGITALBIGSCREEN, Delavski Dom, Trbovlje, Slovenija
\n2016 RETHink Art Digital Festival, Act&Art Productions, Retimno, Gr\u010dka
\n2016 OFF THE WALL, Arts + Literature Laboratory, Medison, SAD
\n2016 Methodologies, deconstruction of identity Kulturni centar GRAD, Beograd, Srbija
\n2015 sTERORtipi, Queer salon, Kulturni centar GRAD, Beograd, Serbija
\n2014 Mulafoco, Museum of Contemporary Photography, Urugvaj
\n2013 Mediterranea 16 \u2013 Errors Allowed, Progres galerija \u2013 Beograd, Srbija
\n2011 Japan, Galerija moderne umetnosti, Lazarevac, Srbija (solo)
\n2008 Body language, manifestacija ISKON, Po\u017eega, Srbija (solo)[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”image_grid” images=”6323,6324,6325,6326″ layout=”4″ masonry_style=”true” item_spacing=”default” gallery_style=”8″ load_in_animation=”none”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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