{"id":5259,"date":"2020-02-06T13:40:57","date_gmt":"2020-02-06T12:40:57","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5259"},"modified":"2021-06-14T13:50:09","modified_gmt":"2021-06-14T11:50:09","slug":"7-2-28-2-a-dream-i-cant-remember-zvonimir-haramija-hans","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/7-2-28-2-a-dream-i-cant-remember-zvonimir-haramija-hans\/","title":{"rendered":"A dream i can’t remember – Zvonimir Haramija Hans"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A dream i can’t remember – Zvonimir Haramija Hans<\/strong><\/p>\n

7.2. – 28.2. 2020.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]A DREAM I CAN’T REMEMBER<\/strong><\/p>\n

Radovi Zvonimira Haramije – Hansa popisti\u010dki su, flambojantni, iskazi koji se referiraju na kulturu pedesetih i \u0161ezdesetih, odnosno na zlatno doba konzumerizma. Radovi nastaju kola\u017eiranjem motiva, me\u0111u kojima su karakteristi\u010dni likovi izvedeni u savr\u0161enoj popkulturnoj maniri. Intenzivan kolorit i ikoni\u010dnost, kao i kombinacije razli\u010ditih tehnika i postupaka kreiraju dojam lako\u0107e, rastere\u0107enosti i pitkosti. Citatnost i prepoznatljivost, natruhe narativa i simbola unose dinamiku i referiraju se na entuzijazam novoro\u0111ene pop kulture, neoptere\u0107ene otpadom i vi\u0161kom konzumerizma i atrofijom zna\u010denja u njegovom post – post izdanju. Me\u0111utim, i\u0161\u010ditavaju\u0107i radove unutar suvremenog konteksta, kori\u0161teni motivi i njihove reference neminovno za sobom povla\u010de zlu slutnju i cini\u010dno se odnose prema po\u010detni\u010dkom idealizmu. Ulaze\u0107i u polje simulakra, njegovih ikona i plo\u0161nosti, oni upravo ukazuju kako ni\u0161ta nema te\u017einu te upravo zbog toga i lako\u0107a postaje prijete\u0107a. Na tom tragu, izme\u0111u ironije, humora, citatnosti, implicitno zloslutne praznine i hiperrealizma i zabave, stvara se prepoznatljiv svijet na \u010dije zakonitosti i prelako pristajemo.<\/p>\n

Osim dva velika platna, na kojima suprotstavlja Disneyjeve likove, floralne motive, motive ameri\u010dke Tupperware dokolice i misterioznost djevi\u010danskih otoka, stripovske kvadrate, kukce, atmosferu straha karakteristi\u010dnu za noir estetiku, ponovo stvaraju\u0107i poznato referentno pop \u2013 polje,
\numjetnik izla\u017ee i nekoliko manjih radova nastalih na prona\u0111enim, kori\u0161tenim, drvenim povr\u0161inama. Povr\u0161ine su i\u0161arane i prljave, sa sobom nose \u0161kolski kontekst, vlastitu dinamiku i estetiku, na koje umjetnik aplicira prepoznatljive motive. Manji formati i stvarnosni element kontrastiraju fizikalnost i tro\u0161nost stvarnosti savr\u0161enoj estetiziranosti pop kulture koja nas okru\u017euje. Jo\u0161 uvijek razigrani i krajnje dopadljivi, ovi radovi funkcioniraju na rascjepu dva razli\u010dita svijeta koja se sve vi\u0161e integriraju i \u010dije se granice zamagljuju.<\/p>\n

Josipa Buba\u0161<\/p>\n

 <\/p>\n

Zvonimir Haramija (ro\u0111en 1978. godine u \u010cakovcu) diplomirao je 2007. na Nastavni\u010dkom odsjeku Akademije likovnih umjetnosti u Zagrebu, u grafi\u010dkoj klasi profesora \u0160i\u0161ka.<\/p>\n

Bavi se animacijom i samostalno izla\u017ee od 2004. godine. Do danas je imao 17 samostalnih i desetak skupnih izlo\u017ebi te je sudjelovao na desetak street art festivala.<\/p>\n

Radio je na razli\u010ditim projektima Croatia<\/em> i Zagreb filma<\/em>. Autor je kratkog animiranog filma, Monster Master<\/em>\u00a0 koji je prikazan na doma\u0107im i stranim festivalima filma i animacije. Kao glavni animator radio je na kratkom animiranom filmu My Way <\/em>redatelja Veljka Popovi\u0107a (koji je ra\u0111en po knjizi Svjetlana Junakovi\u0107a).<\/p>\n

Bavi se slikarstvom, ilustracijom i izradom animiranih video spotova te slikanjem murala. \u010clan je udruge likovnih umjetnika Atelieri Koprivnica<\/em>.<\/p>\n

Trenutno \u017eivi i radi kao profesor likovne kulture u Koprivnici.<\/p>\n

https:\/\/zvonimirharamija.tumblr.com<\/a><\/p>\n

http:\/\/www.zvonimirharamija.com<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5260″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

7.2. – 28.2. 2020.<\/p>\n","protected":false},"author":1,"featured_media":5260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-5259","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izlozbe"],"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5259"}],"version-history":[{"count":4,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5259\/revisions"}],"predecessor-version":[{"id":5270,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5259\/revisions\/5270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5260"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}