{"id":5256,"date":"2020-03-05T13:38:48","date_gmt":"2020-03-05T12:38:48","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5256"},"modified":"2021-06-14T13:40:24","modified_gmt":"2021-06-14T11:40:24","slug":"krepaj-ljepoto-tajci-cekada","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/krepaj-ljepoto-tajci-cekada\/","title":{"rendered":"Krepaj, ljepoto – Tajc\u030ci C\u030cekada"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Krepaj, ljepoto – Tajc\u030ci C\u030cekada<\/strong><\/p>\n

6.3. – 27.3. 2020.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Krepaj, ljepoto!<\/strong><\/p>\n

Video perfromans Taj\u010di \u010cekade prikazuje poznati knji\u017eevni motiv \u2013 Ofelijinu smrt. Nakon \u0161to ga Millais preuzima i slika svoju muzu, Elisabeth Siddal, motiv postaje i jedan od najupe\u010datljivijih motiva povijesti umjetnosti. Potom ga\u00a0 preuzima\u00a0 redatelj spota pjesme Where the wild roses grow<\/em> Nica Cavea, Rocky Schenck, \u010dime ona postaje prepozanta i u pop kulturi.<\/p>\n

Postavljaju\u0107i pitanje o pozicioniranju samog motiva u svijetu umjetnosti, \u010cekada se iskustveno poistovje\u0107uje s Ofelijom te pluta u hladnoj vodi. Sam motiv konotira romanti\u010darsku ideju neodr\u017eivosti ljubavi, nevinosti i ljepote, a kao takav tako\u0111er implicira odre\u0111enu sliku \u017eenskosti, ili previ\u0161e savr\u0161ene da bi opstala ili nedovoljno savr\u0161ene za opstanak. Ljubav, \u010disto\u0107a, nevinost, sve to mora \u2013 krepati. Svijet je nesavr\u0161en \u2013 i takav mora ostati. Eros i Tanatos, stvaranje i destrukcija, obo\u017eavanje i mr\u017enja, neobi\u010dni koloplet sa \u017eenom u centru.\u00a0 \u017drtvovanom \u017eenom ili \u017eenom koja se \u017ertvuje.<\/p>\n

\u010cekada, za razliku od Ofelije ima povezane o\u010di, pogled usmjeren unutra. Motivi vode i \u0161ume oduvijek su vezani uz podsvjesno, skriveno i \u017eensko. Utapanjem, zatvorenim o\u010dima, umjetnica se stapa s tim elementima, dok sam se motiv plutanja s povezom mo\u017ee \u010ditati kao transcedentni postupak, otvaranje drugih kanala percepcije izvan racionalnog, binarnog i mu\u0161kog. Naizgled, \u010din eskapizma, no u stvari \u010din mudrosti i mo\u0107i.<\/p>\n

Medijski, rad tako\u0111er odra\u017eava motiv. Naime, iz pokretne slike, slika postaje stati\u010dna, dok se potpuno ne zaustavi, dok ne krepa pokret, a njime i ljepota, dok motiv ne postane zamrznut, smiren, uhvatljiv i – lako kontroliran.<\/p>\n

Josipa Buba\u0161<\/p>\n

 <\/p>\n

TAJ\u010cI \u010cEKADA<\/p>\n

Taj\u010di \u010cekada multimedijska je umjetnica \u010diji su radovi uglavnom produkt eksperimentiranja i kombiniranja razli\u010ditih medija \u2013 performans, fotografija, video, kostimografija, oblikovanje odje\u0107e\u2026<\/p>\n

Iako djeluje na \u0161irokom umjetni\u010dkom podru\u010dju naj\u010de\u0161\u0107e se izra\u017eava kroz formu video performansa.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”5257″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

6.3. – 27.3. 2020.<\/p>\n","protected":false},"author":1,"featured_media":5257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-5256","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izlozbe"],"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5256"}],"version-history":[{"count":1,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5256\/revisions"}],"predecessor-version":[{"id":5258,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5256\/revisions\/5258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5257"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}