{"id":5245,"date":"2020-01-20T13:33:05","date_gmt":"2020-01-20T12:33:05","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=5245"},"modified":"2021-06-14T13:38:33","modified_gmt":"2021-06-14T11:38:33","slug":"postajanje-glorija-lizde-organ-vida","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/postajanje-glorija-lizde-organ-vida\/","title":{"rendered":"Postajanje &#8211; Glorija Lizde (Organ vida)"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]<strong>Postajanje &#8211; Glorija Lizde (Organ vida)<\/strong><\/p>\n<p><strong>21.1. &#8211; 4.2. 2020.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]Nikad ne prestanimo razmi\u0161ljati \u2013 kakva je to civilizacija u kojoj smo se na\u0161le?<br \/>\nKakve su to ceremonije i za\u0161to bismo morale u njima sudjelovati?<br \/>\nKakve su to profesije i za\u0161to bismo morale putem njih zara\u0111ivati?1<\/p>\n<p>Zbog \u010dega bi \u017eene donosile djecu na svijet kakav je ovaj danas?2 \u0160to zna\u010di postajanje majkom kao oblik politi\u010dke subjektivizacije u doba neoliberalnog kapitalizma, tr\u017ei\u0161nog fundamentalizma, sveop\u0107e krize, sveprisutne eksploatacije, permanentnog rata i diskriminatornih i nasilnih re\u017eima seksizma, homofobije i rasizma, to jest dru\u0161tveno-ekonomskih relacija koje se pokazuju kao fundamentalno nepravedne?3<\/p>\n<p>No, prije svega: \u0161to je to \u017eena? Tko je ona? An\u0111eo, demon, inspiracija, glumica?<br \/>\nPo \u010demu je \u010dinjenica da smo \u017eene utjecala na na\u0161e \u017eivote? Izlu\u010duju li jajnici \u017eenskost?<br \/>\nKako prona\u0107i neovisnost unutar ovisnosti?4<\/p>\n<p>\u0160to to zna\u010di biti djevojka? Koliko kontrole pojedina\u010dne djevojke imaju nad tim tko su i tko bi mogle postati?<br \/>\nAko razmi\u0161ljamo o djevoja\u0161tvu kao o tekstualno posredovanom diskursu, na koji na\u010din na\u0161i vlastiti tekstovi djeluju kao mjesta mo\u0107i?5<\/p>\n<p>Je li to za mene? Jesam li ja takva? Mo\u017ee li to biti dio mene? Bih li mogla biti takva? Bih li htjela biti takva?6<br \/>\n\u0160to to podrazumijeva i kakav je emocionalni i intelektualni ulog potreban za odr\u017eavanje ravnote\u017ee izme\u0111u u\u017eivljavanja u nepoznato i zadr\u017eavanja vlastitosti?7<\/p>\n<p>Kako postati ono \u0161to se ne mo\u017ee zamisliti?8<\/p>\n<p>Petra \u0160arin<\/p>\n<p>1 Virginia Woolf, Tri gvineje, 1938.<br \/>\n2 Edith Maturin-Porch za Daily Telegraph, 1937.<br \/>\n3 Ana Vilenica, Postajanje majkom u vreme neoliberalnog kapitalizma, 2016.<br \/>\n4 Simone de Beauvoir, Drugi spol, 1949.<br \/>\n5 Dawn H. Currie, \u00bbOd djevoja\u0161tva i djevojaka do djevoja\u010dkih studija\u00ab, u: \u010casopis za knji\u017eevnu i kulturalnu teoriju k. Djevoja\u010dki studiji (14\/2019)<br \/>\n6 Ma\u0161a Grde\u0161i\u0107, Cosmopolitika. Kulturalni studiji, feminizam i \u017eenski \u010dasopisi, 2013.<br \/>\n7 Ru\u017eica \u0160imunovi\u0107, Tijelo u dijalogu. \u017denske performativne prakse u Hrvatskoj, 2016.<br \/>\n8 bell hooks, Feminizam je za sve \u2013 Strastvena politika, 2000.<\/p>\n<p>&nbsp;<\/p>\n<p>Glorija Lizde ro\u0111ena je 1991. u Splitu. Zavr\u0161ila je preddiplomski studij Filma i videa pri Umjetni\u010dkoj akademiji u Splitu te diplomski studij Fotografije na Akademiji dramske umjetnosti u Zagrebu. U svom fotografskom radu bavi se temama ljudskih odnosa, sje\u0107anja i identiteta.<br \/>\nOstvarila je \u0161est samostalnih izlo\u017ebi te sudjelovala na brojnim skupnim izlo\u017ebama u Hrvatskoj i inozemstvu od kojih izdvaja Being\/Seeing (QUAD Gallery, UK), Parallel Intersection Lisboa, Dr\u017eava u krevetu (Galerija umjetnina Split), Nova imena (ULUPUH), ISPIT 2015 (Galerija SC) te Rovinj Pho- todays 2016 (Muzej za umjetnost i obrt Zagreb). \u010clanica je Hrvatske udruge likovnih umjetnika te dobitnica Dekani\u010dine nagrade za rad na seriji fotografija F20.5.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][image_with_animation image_url=&#8221;5246&#8243; animation=&#8221;Fade In&#8221; hover_animation=&#8221;none&#8221; alignment=&#8221;&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>21.1. &#8211; 4.2. 2020.<\/p>\n","protected":false},"author":1,"featured_media":5246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-5245","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izlozbe"],"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=5245"}],"version-history":[{"count":4,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5245\/revisions"}],"predecessor-version":[{"id":5255,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/5245\/revisions\/5255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/5246"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=5245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=5245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=5245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}