{"id":14727,"date":"2026-10-26T16:36:12","date_gmt":"2026-10-26T15:36:12","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=14727"},"modified":"2026-11-02T12:51:51","modified_gmt":"2026-11-02T11:51:51","slug":"hermesensemble-belgija","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/hermesensemble-belgija\/","title":{"rendered":"HERMESensemble (Belgija)"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”14698″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Foto: Wim Piqueur<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][divider line_type=”No Line” custom_height=”60″][vc_column_text]Petak, 27. studenog u 19:30h<\/strong>
\nKazali\u0161na dvorana Centra Knap<\/strong><\/p>\n

HERMESensemble<\/strong><\/a> (Belgija)<\/p>\n

Karin de Fleyt<\/strong>, flauta
\nJohannes Burghoff<\/strong>, violon\u010delo
\nStaf Wijckmans<\/strong>, udaraljke<\/p>\n

Preuzmite besplatne ulaznice<\/span><\/em><\/a><\/p>\n

Traces<\/em><\/strong><\/p>\n

Toshio Hosokawa<\/strong>
\nVertical Song I<\/em>
\nSen I<\/em>
\nReminiscence<\/em><\/p>\n

Wim Henderickx<\/strong>
\nSearching<\/em>
\nGishora<\/em>
\nAfrican Suite<\/em><\/p>\n

HERMESensemble<\/strong> (Antwerpen, Belgija) pokre\u0107e znati\u017eelja usmjerena prema sada\u0161njem trenutku. Ansambl njeguje usredoto\u010den i kontemplativan odnos prema vremenu. Istra\u017euje, interpretira i stvara. Glazbenom pri\u010dom koja obuhva\u0107a razdoblje od 1950. do 2050. godine, ansambl istra\u017euje novija kretanja u izvo\u0111a\u010dkoj praksi. Istodobno je i sam stvaratelj i inovator na podru\u010dju nove glazbe.<\/p>\n

HERMESensemble osnovao je 2000. godine Koen Kessels, vo\u0111en sklono\u0161\u0107u avanturi i \u017eeljom za otkrivanjem novih, jo\u0161 neistra\u017eenih umjetni\u010dkih putova. Djeluje izvan ustaljenih struktura te ispituje granice suvremene glazbe i umjetnosti. Mladim, kreativnim umjetnicima i izvo\u0111a\u010dima pru\u017ea priliku da kroz zajedni\u010dko stvaranje pomi\u010du granice glazbene umjetnosti.<\/p>\n

Ansambl djeluje iz vlastitog studija u prostoru Het Kanaal u Wijnegemu. Svake godine nastupa u najva\u017enijim belgijskim koncertnim i festivalskim prostorima, me\u0111u kojima su De SINGEL, Concertgebouw Brugge, Opera Ballet Vlaanderen, Flagey, Festival van Vlaanderen i De Bijloke. Redovito gostuje i na me\u0111unarodnim pozornicama, me\u0111u ostalima u dvorani Muziekgebouw aan \u2019t IJ u Amsterdamu, Philharmonie u Luksemburgu, Konzerthausu u Be\u010du i dvorani Barber Hall u Birminghamu. Nastupa i na me\u0111unarodnim festivalima, kao \u0161to su Romaeuropa i Venecijanski biennale, Berliner Festspiele, November Music (Nizozemska) te Mona Foma (Australija).[\/vc_column_text][divider line_type=”No Line” custom_height=”20″][image_with_animation image_url=”14699″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Foto: Wim Piqueur<\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”40″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”14701″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Foto: Eldred Spell<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Karin de Fleyt<\/strong> belgijska je flautistica, pedagoginja i istra\u017eiva\u010dica specijalizirana za izvedbu suvremene klasi\u010dne glazbe. Prva je flauta ansambla HERMESensemble te bliska suradnica niza suvremenih skladatelja, me\u0111u kojima je bio i Karlheinz Stockhausen. Suosniva\u010dica je dua NewFLow, a predaje na konzervatorijima KASK u Gentu i Kraljevskom konzervatoriju u Antwerpenu te na MuDa Ghent. U Antwerpenu vodi istra\u017eiva\u010dku skupinu CORPoREAL.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”14700″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Foto: Paola Guigou<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Belgijski violon\u010delist Johannes Burghoff<\/strong> \u0161kolovao se u Li\u00e8geu i Strasbourgu, gdje je diplomirao s najvi\u0161im pohvalama. Djeluje kao solist i komorni glazbenik, \u010dlan je ansambala Le Concert Olympique, Linea i Prosperus4 te suosniva\u010d Trija Mistral. Osniva\u010d je festivala komorne glazbe u Jodoigneu, a snimio je desetak albuma. Svira na violon\u010delu koje je 1733. godine izradio Januarius Gagliano.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”14702″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_column_text]\n

Foto: Patrick Hufkens<\/p>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Staf Wijckmans<\/strong> belgijski je udaraljka\u0161, prije svega aktivan kao orkestralni glazbenik. Studira klasi\u010dne udaraljke na Kraljevskom konzervatoriju u Antwerpenu, gdje zavr\u0161ava diplomski studij pod mentorstvom Koena Wilmaersa i Pieterjana Vranckxa. Kao slobodni glazbenik sura\u0111uje s Belgijskim nacionalnim orkestrom, Simfonijskim orkestrom Belgijskog ratnog zrakoplovstva i ansamblom Opera Ballet Vlaanderen.[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Preuzmite besplatne ulaznice<\/span><\/em><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Vi\u0161e o djelima”][vc_column_text]Japanski skladatelj Toshio Hosokawa<\/strong> (1955.), ro\u0111en u Hiro\u0161imi, a \u0161kolovan u Tokiju, Berlinu i Freiburgu, u sredi\u0161te svojega stvarala\u0161tva stavlja zen, prirodu i ti\u0161inu. \u201ePoku\u0161avam skladati glazbu koja se ne zaustavlja na povr\u0161inskim slojevima ljudskih osje\u0107aja, nego ponire u dubine. Vjerujem da je glazbeni jezik nastao kako bi izrazio ono duboko, ono do \u010dega ne mo\u017eemo doprijeti u svakodnevnom \u017eivotu. Kad trebam pjevati, \u017eelim pjevati melodije koje se okomito spu\u0161taju sve do tih dubina. \u017delim pjevati pjesme koje se ra\u0111aju u tim dubinama i okomito izranjaju na povr\u0161inu na\u0161ega \u017eivota\u201c, zapisao je uz Vertical Song I<\/em><\/strong>.<\/em> Prvi izvo\u0111a\u010d bio je flautist Roberto Fabbriciani na Venecijanskom biennalu 1995. godine.<\/p>\n

Sen I<\/em><\/strong> pripada nizu skladbi u kojima razra\u0111uje ideju \u201ezvu\u010dne kaligrafije\u201c na na\u010din da zvukovi nastaju iz praznine, odnosno ti\u0161ine, i vra\u0107aju se u nju, a zami\u0161ljeni su poput to\u010daka i poteza kistom na papiru. Skladba je nastala 1984., a praizveo ju je flautist Michio Kai u Tokiju.<\/p>\n

Reminiscence<\/em><\/strong> pak izra\u017eava odjeke zvukova koje autor zami\u0161lja da je \u010duo u maj\u010dinoj utrobi. Povezuje ih s predod\u017ebom vlastitog ro\u0111enja i sje\u0107anjem na svijet prije ro\u0111enja. Skladba je nastala na narud\u017ebu marimbista Kunihika Komorija koji ju je praizveo 2002. u Tokiju.<\/p>\n

Skladatelj, udaraljka\u0161 i pedagog Wim Henderickx<\/strong> (1962. \u2013 2022.) jedan je od najistaknutijih belgijskih glazbenika svoje generacije. Searching<\/em><\/strong> je izvorno skladao 1986. godine za violu i marimbu. Slijedile su obrade za violinu i marimbu, za bas-klarinet i marimbu, alt-saksofon i marimbu, te posljednja, 2010. godine, za violon\u010delo i marimbu. Sastoji se od pet kontrastnih dijelova, u kojima se temeljni glazbeni materijal gradi na suprotstavljenim, simetri\u010dnim odnosima intervala i akorda.<\/p>\n

Naslov Gishora<\/em><\/strong> ozna\u010dava bre\u017euljak u Burundiju na kojem se \u010duvaju sveti udaraljka\u0161ki instrumenti. Izvorna verzija za trubu i sedam afri\u010dkih bubnjeva nastala je 2009. na narud\u017ebu radija KLARA u sklopu humanitarne kampanje Art for Life<\/em>. Skladba je bila dio dobrotvorne aukcije umjetni\u010dkih djela \u010diji je prihod u cijelosti bio namijenjen borbi protiv malarije u Burundiju. Praizvedena je u studiju Toots belgijske radiotelevizije VRT, a izvedena je i na otvorenju novog krila umjetni\u010dkog centra deSingel u Antwerpenu 2010. godine. Henderickx ju je poslije je preradio za sopran saksofon i bubnjeve (2012.) te za piccolo ili flautu i bubnjeve (2019.).<\/p>\n

I Afri\u010dka suita<\/em><\/strong> postoji u nekoliko verzija za pojedina\u010dne melodijske instrumente i udaraljke, karakteristi\u010dne za dvije posve razli\u010dite kulture, zapadnja\u010dku i afri\u010dku. Izvornik, za violinu i udaraljke, nastao je 1992., a za violon\u010delo i udaraljke 2010. Ponavljaju\u0107i ritamski obrazac (ostinato<\/em>), uz izmjene mjera i nepravilne ritamske naglaske unutar stalnog metra, daje skladbi izrazito uzbudljiv karakter.[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

27. 11. 2026. | 19:30h | Kazali\u0161na dvorana<\/p>\n","protected":false},"author":1,"featured_media":14698,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,63],"tags":[],"class_list":["post-14727","post","type-post","status-publish","format-standard","has-post-thumbnail","category-koncerti","category-music-mission-vision"],"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/14727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=14727"}],"version-history":[{"count":2,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/14727\/revisions"}],"predecessor-version":[{"id":14775,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/14727\/revisions\/14775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/14698"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=14727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=14727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=14727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}