Bez naziva<\/p>\n
GROOARGH!!!<\/p>\n
Djetinjstvo podrazumijeva igru i ponavljanje, srednja dob razvoj eti\u010dkih kodeksa i etos stvaranja, a starost iskustvo, strah od smrti i sabirali\u0161te bitka. Stvarala\u010dka energija crpi iskustva i slutnje iz sva tri navedena razdoblja.<\/p>\n
I dok smo blagonaklono skloni povjerovati u istinitost na\u0161ih vlastitih vrijednosti i ljepota, suo\u010deni smo s terorom idiota preko dru\u0161tvenih mre\u017ea, televizije i u stvarnom \u017eivotu. Pogled koji polarizira javnost diljem svijeta, potencira pitanje kontrole i mo\u0107i informacija, name\u010du\u0107i jednostavne zaklju\u010dke.<\/p>\n
Opsesivna fascinacija na kulturu i umjetnost kao na apsolutno polje slobode potpuno je proma\u0161ena. Ona ne govori o snazi i razlozima tog fenomena nego o potrebi da proizvodi unutra\u0161nju figuru krivca. Krivac nema ime. On je sjena koja je simbol, apstraktan i nematerijalan. Lak\u0161e ga je prezirati nego se suo\u010diti s vlastitim kontinuitetom i izborom.<\/p>\n
Dakle, \u0161to se ne razumije, vrijedno je svakog prezira i predstavlja mogu\u0107nost vlastitog tuma\u010denja i osude Drugog.<\/p>\n
Opozit tomu je upornost i spremnost autora da sloterdijkovski analizira vlastitost bi\u0107a i svog mjesta u svijetu. Polaze\u0107i od starogr\u010dkog pojma Thymos, koji obja\u0161njava dio ljudske du\u0161e koja tra\u017ei priznanje i pravdu, Sloterdijk obja\u0161njava da je srd\u017eba pokreta\u010d svega. Po\u010dev\u0161i od religije koja srd\u017ebu nastoji uhvatiti i usmjeriti, pravedna kazna postoji, ali je odgo\u0111ena i slijedi tek nakon vlastite trpnje. U drugim sferama postoje drugi modeli u obliku revolucionarnih pokreta, kulturnih prevrata, mijena i sli\u010dno. On to naziva \u201ebankama srd\u017ebe\u201c u kojima se sakuplja bijes i revolt, \u010dekaju\u0107i da bukne u svakom trenutku.<\/p>\n
Zato zavr\u0161imo s prijete\u0107im urlikom: G R O O A R G H!<\/p>\n
Vlatko Vincek<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”English”][vc_column_text]\n
Untitled<\/p>\n
GROOARGH!!!<\/p>\n
Childhood implies play and repetition; middle age the development of ethical codes and an ethos of creation; and old age experience, fear of death, and a repository of battles. Creative energy draws experiences and premonitions from all three of these periods.<\/p>\n
While we are kindly inclined to believe in the truth of our own values and notions of beauty, we are confronted with the terror of idiots through social media, television, and in real life. A perspective that polarizes the public across the world intensifies the question of control and the power of information, imposing simplistic conclusions.<\/p>\n
An obsessive fascination with culture and art as an absolute field of freedom is completely misguided. It does not speak about the strength or the reasons for this phenomenon, but about the need to produce an internal figure of the culprit. The culprit has no name. He is a shadow that is a symbol, abstract and immaterial. It is easier to despise him than to confront one\u2019s own continuity and choice.<\/p>\n
Thus, whatever is not understood is deemed worthy of contempt and becomes an opportunity for one\u2019s own interpretation and condemnation of the Other.<\/p>\n
The opposite of this is the persistence and readiness of the author to analyze, in a Sloterdijkian manner, the nature of one\u2019s own being and one\u2019s place in the world. Starting from the ancient Greek concept of thymos, which explains the part of the human soul that seeks recognition and justice, Sloterdijk argues that anger is the driving force behind everything. Beginning with religion, which attempts to capture and direct anger, just punishment exists but is postponed and follows only after one\u2019s own suffering. In other spheres, there are different models in the form of revolutionary movements, cultural upheavals, transformations, and the like. He calls them \u201cbanks of anger,\u201d where rage and revolt accumulate, waiting to erupt at any moment.<\/p>\n
So let us end with a threatening roar: G R O O A R G H!<\/p>\n
Vlatko Vincek<\/p>\n[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Romski”][vc_column_text]\n
Bizo anav<\/p>\n
GROOARGH!!!<\/p>\n
O \u010chavoripe xaljovkerela khelipe thaj nevljaripe, o ma\u0161karutno ber\u0161ipe vazdipe e etikane kodeksongoro thaj o etos kerdipe, a o phuripe nakhlo vaxtipe, dar katar o meripe thaj khedipe e maripangoro. I kerdipaskiri energia cxidel nakhlo vaxtipe thaj daripe katar sa e trin periodia.<\/p>\n
Thaj d\u017eikaj siam \u0161ukaripasa te dikha o pakjavipe ano \u010da\u010dipe amare plesutne baripenengoro thaj o \u0161u\u017eipe, khuvas amen e teroresa katar e idiotia prekal e amalnikane netia, televizia thaj ano \u010da\u010dutno d\u017eivdipe. O dikhipe so kerela polariyacia e publikume ko sasto sundal, kerel potenciripe e kontolakoro thaj e zurakoro e informaciengere, thaj anel sadane phandle lava.<\/p>\n
I opsesivnikani fascinacia ki kultura thaj o arti sar apsolutikani umal e tromalipaskiri si ko sa ki\u0161ljardi. Voj na vakerel va\u0161i zur thaj sebepia adale fenomeneskiri numaj vakerel va\u0161o trubutnipe te ikalel andruni figura e do\u0161alneskiri. E do\u0161alne nanaj anav. Vov si u\u010dhalin savi si simbolikani, apstraktikani thaj bimaterialnikani. Lokheder si te na manges numaj te khuves tut korkori tusa e kontinuitetosa thaj e alusaripasa.<\/p>\n
Adaleske, so na haljoves vareso, lokheder si te des les negreto thaj sikavel \u0161ajdipe e plesutne vakeripaske thaj do\u0161alkeripe e Avereske.<\/p>\n
O opozito si ko adava kobor isi mangipe o auktoro te kerel sloterdijkovikano thaj te kerel analiza e plesutnipaskoro e manu\u0161eskoro thaj peskere thaneskoro ano sundal.<\/p>\n
Te cxidindam katar o purane grekiakoro termino Thymos, savo so del vakeripe va\u0161o kotor e manu\u0161eskere vogjeskoro savi so rodel angigaripe thaj \u010da\u010dipen,\u00a0 o Sloterdijk vakerel kaj i xoli si vazdutno saskoro. Te las \u0161ird katar i religia savi so i xoli mangel te astarel thaj te dromarel, i \u010da\u010dutni sakncia ovel, ama si durarkerdi thaj avel palo plesutno vaxt. Ane aver sfere isi aver modeloja saven isi forma sar revolucionarnikane mi\u0161kipa, kulturnikane irankeripa, averdipe thaj av. Vov adaleske del anav \u201ebanke xoljakere\u201c ane save khedel pe xoli thaj revolto, ad\u017eikerindoj te pharjovel ko sakova momento.<\/p>\n
Adaleske te agorkeras e vazdutne \u010dhingaripasa: G R O O A R G H!<\/p>\n
Vlatko Vincek<\/p>\n[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” 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