Unutar dugotrajnog i dosljednog Paveli\u0107evog opusa, ova izlo\u017eba nazvana Papiri, reciklirani nije tek izdvojena dionica, nego gotovo organski nastavak autorova promi\u0161ljanja. Rije\u010d je o nekoliko isprepletenih umjetni\u010dkih ciklusa koji nastaju od po\u010detka devedesetih godina, a povezuje ih upotreba ve\u0107 kori\u0161tenog, odba\u010denog ili marginalnog papira koji je imao svoju funkciju, povijest i trajanje.<\/p>\n
Treba naglasiti da ti papiri nisu neutralna podloga ve\u0107 su aktivni sudionici rada, materijal koji nosi tragove prethodnih uporaba koje Paveli\u0107 ne nastoji ukloniti ili prikriti nego ih zadr\u017eava i uva\u017eava, tretiraju\u0107i papir kao ve\u0107 zapo\u010deti zapis u koji se nova intervencija upisuje s mjerom i svije\u0161\u0107u o kontinuitetu.<\/p>\n
Na tim povr\u0161inama pojavljuju se mali podsjetnici upu\u0107eni bli\u017enjima, i obratno, fragmenti osobnih bilje\u0161ki, kratke poruke i re\u010denice koje ne pretendiraju na cjelovitost zna\u010denja. Sme\u0107e. Voda. Neke brojke, izra\u010duni. Njihova snaga ne le\u017ei u informaciji, nego u gesti i dosljednosti. U \u010dinu zapisivanja koji podrazumijeva vrijeme, pa\u017enju i prisutnost. Ti zapisi \u010desto djeluju kao da su izva\u0111eni iz svakodnevice, oni ne funkcioniraju kao poruke koje treba razumjeti nego kao tragovi koji imaju neku svoju unutarnju logiku koja nije narativna.<\/p>\n
U kontekstu izlo\u017ebenog prostora, koji sam po sebi afirmira ti\u0161inu, koncentraciju i sporost gledanja, Papiri, reciklirani djeluju gotovo samorazumljivo. Oni ne dominiraju prostorom, nego ga suptilno strukturiraju.<\/p>\n
Papiri, reciklirani mogu se \u010ditati i kao tihi otpor logici neprestanog novog po\u010detka. Umjesto stalne produkcije novih sadr\u017eaja i zna\u010denja, Paveli\u0107 bira kontinuitet, povratak i ponovnu upotrebu. Njegov rad ne bje\u017ei od skromnosti, upravo u njoj pronalazi prostor slobode.<\/p>\n
Helena Puhara<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”English”][vc_column_text]\n
Papers, recycled<\/p>\n
Within Paveli\u0107\u2019s long-standing and consistent work, the exhibition titled Papers, Recycled is not merely a separate segment, but rather an almost organic continuation of the artist\u2019s reflections. It consists of several interwoven artistic cycles that have been developing since the early 1990s, connected by the use of already used, discarded, or marginal paper that once had its own function, history, and duration.<\/p>\n
It should be emphasized that these papers are not a neutral support but active participants in the work\u2014material that bears traces of previous uses which Paveli\u0107 does not attempt to remove or conceal, but instead preserves and acknowledges, treating the paper as an ongoing record into which a new intervention is inscribed with restraint and an awareness of continuity.<\/p>\n
On these surfaces appear small reminders addressed to close ones, and vice versa, fragments of personal notes, short messages and sentences that do not aspire to completeness of meaning. Garbage. Water. Some numbers, calculations. Their strength does not lie in information, but in gesture and consistency. In the act of writing itself, which implies time, attention, and presence. These inscriptions often seem as if taken from everyday life; they do not function as messages meant to be understood, but as traces that possess their own internal logic, one that is not narrative.<\/p>\n
Within the context of the exhibition space, which in itself affirms silence, concentration, and a slowness of viewing, Papers, Recycled appears almost self-evident. The works do not dominate the space, but subtly structure it.<\/p>\n
Papers, Recycled can also be read as a quiet resistance to the logic of constant new beginnings. Instead of the continual production of new content and meanings, Paveli\u0107 chooses continuity, return, and reuse. His work does not shy away from modesty, it is precisely within it that he finds a space of freedom.<\/p>\n
Helena Puhara<\/p>\n[\/vc_column_text][\/toggle][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”Romski”][vc_column_text]\n
Kana dikhas andre ko baro thaj pherdo Paveli\u0107eskoro opuso, akaja pradar\u0161ana anavesa Papiria, reciklirime nane ulavdo drom, numaj si organikano avelipe e auktoreskere gindljaripaskere, Lav si va\u0161e nekobor katle artikane ciklusia save so oven kerde katar e enjavarde\u0161to ber\u0161a, a phandel len o labaripe e labarnipaskoro, \u010dhudipaskoro vaj marginalizirime papireskoro save so isi sade peskiri funkcia, historia thaj lungipe.<\/p>\n
Trubul te ovel vakerdo kaj e papiria nane neutralnikano podipe, numaj isi len aktivnikano participiripe ki buti, material savo so legarel e dire anglederutne labaripaskoro saven o Paveli\u0107 na dikhel te cxidel vaj u\u010dharel numaj ikerel len thaj del len pakjiv, tretirindoj o papiro sar \u0161irdome xramovipe saveste I nevi intervencia xramonel pe merasa thaj minsasa va\u0161o kontinuiteto.<\/p>\n
Adale sathanipande ikljoven tikne lipardipa dende e pa\u0161utnenge thaj aver rigate, fragmentia katar e plesutne notiripa, xarne mesa\u017eoja thaj lavjora save so na keren pretendiripe ko sahnipe e d\u017eanlipaskoro. Gunoj. Pani. Varesave genja, genjarkeripa. Lengiri zor na pa\u0161ljovel ane informacie, numaj ane geste thaj d\u017eipherdipe. Adala xramovipa butvar dikhen pe amenge kaj si ikalde katar o sakodivipe, von na keren fukcia sar mesa\u017eoja save so trubul te xaljovas, numaj si sar dire saven isi disavi lengiri andruni logika savi so nane narativnikani.<\/p>\n
Ano konteksto e pradar\u0161anakere thanipaskoro, savo so korkori peske kerel nih\u0161abi, koncentracia thaj poxaripa e dikhipaskoro, Papiria, reciklirime dikhen pe sar korkori xaljovne. Von na keren dominacia, numaj suptilnikane keren peske struktura.<\/p>\n
Papiria, reciklirime \u0161aj te drabaren pe thaj sar nih\u0161abime mamujipe e logikake savi rodel savaxt \u0161ird. Ko than e savaxtune produkciake e neve saikerinengoro thaj d\u017eanlipaskoro, o Paveli\u0107 alusarel kontinuiteto, iranipe thaj nevljardo labaripe. Leskiri buti na na\u0161el katar i namrata (skromnost), vov late arakhel o thanipe e vestipaskoro.<\/p>\n
Helena Puhara<\/p>\n[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” 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