{"id":12325,"date":"2025-04-16T17:54:56","date_gmt":"2025-04-16T15:54:56","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=12325"},"modified":"2025-04-16T17:55:48","modified_gmt":"2025-04-16T15:55:48","slug":"lana-bunjevacurbanizam-volovcice12-4-2-5-2025","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/lana-bunjevacurbanizam-volovcice12-4-2-5-2025\/","title":{"rendered":"Lana Bunjevac
Urbanizam Volov\u010dice
12.4. – 2.5.2025."},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_video link=”https:\/\/www.youtube.com\/watch?v=wwJSVfoFZj4″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_column_text css=”.vc_custom_1744818845939{margin-top: 15px !important;margin-bottom: 30px !important;}”]\n
Pri\u010da svakog grada je kompleksna, slojevita, ona je neprestano u reinterpretaciji, promi\u0161ljanju i otkrivanju novoga ili \u010dak zaboravljanju starih slojeva. Prostor grada pro\u017eimaju kontradiktornosti, susreti razli\u010ditosti, borbe za prevlast i nametanje vlastitog izri\u010daja, u kojem fizi\u010dke strukture tvore podsjetnik na iskazane vrijednosti u odre\u0111enom vremenskom razdoblju. Uzimaju\u0107i u obzir sociolo\u0161ku perspektivu, potrebu za aktivnim sudjelovanjem stanovnika u dinamici gradskog \u017eivota, uz pozadinu turisti\u010dke vodi\u010dice, Lana Bunjevac polazi od premise va\u017enosti upoznavanja prostora koji nas okru\u017euje, kao polazi\u0161ne to\u010dke za daljnje djelovanje. U fokus stavljeno je neposredno okru\u017eenje Galerije Doga\u0111anja, pru\u017eaju\u0107i joj tako kontekst i omogu\u0107uju\u0107i \u0161iru sliku povijesnog i urbanisti\u010dkog razvitka dijela grada u kojemu je pozicionirana.
\nKroz \u0161etnju podru\u010djem kvarta Volov\u010dica, Lana nakratko postavlja sudionike u ulogu turista, upoznaje ih s povije\u0161\u0107u objekata, razli\u010ditim umjetni\u010dkim crticama iz njihovog nastanka koje su ih obilje\u017eile i danas \u010dine onim \u0161to jesu, pru\u017eaju\u0107i im priliku za jedno novo vi\u0111enje prostora, ali isto tako i za shva\u0107anje slo\u017eenog procesa urbanizacije, koje je primjenjivo i na \u0161ire gradsko tkivo.
\nHodanjem u grupi, osvje\u0161tavanjem izgra\u0111enog okoli\u0161a uz educiranje o njihovoj vrijednosti, otkrivanjem nanosa pro\u0161losti, pru\u017ea se i mogu\u0107nost spontane interakcije, novih otkri\u0107a, dijaloga suprostavljenih perspektiva i pro\u017eivljenih iskustava. Upravo sve ono \u0161to bi grad u svojoj su\u0161tini i trebao biti, poligon za susrete ljudi, prihva\u0107anju \u201edrugoga\u201c i mogu\u0107nosti ostvarenja vlastite individue. Kvartovi, mala mjerila, kao gradske \u017eile kucavice, posebno su zna\u010dajni u tom pogledu, oni su satkani od nakupina jedinstvenih sje\u0107anja svakog od stanovnika, isprepletenih u prostoru. Oblikuju\u0107i grad, grad zauzvrat oblikuje i nas.<\/div>\n
Ana-Marija Senfner, mag. hist. art. et mag. soc.<\/div>\n
<\/div>\n
Urbanism of<\/strong>
\nVolov\u010dica<\/strong><\/div>\n
The story of every city is complex and layered; it is constantly being reinterpreted, reflected upon, while discovering new things, or even forgetting old layers. The city’s space is permeated by contradictions, encounters of differences, struggles for dominance, and the imposition of one’s own expression, in which physical structures serve as a reminder of the values expressed during a particular period. Taking into account a sociological perspective, the need for active participation of residents in the dynamics of urban life, with the background of a tourist guide, Lana Bunjevac starts from the premise of the importance of getting to know the space that surrounds us, as a starting point for further action. The focus is placed on the immediate surroundings of the Events Gallery, providing it with context and enabling a broader view of the historical and urban development of the part of the city in which it is located.<\/div>\n
Through a walk in the Volov\u010dica neighborhood, Lana briefly places the participants in the role of tourists, introducing them to the history of the buildings, different artistic details from their creation that have marked them and today make them what they are, offering them an opportunity for a new perspective of the space, but also for understanding the complex process of urbanization, which is applicable to the broader urban fabric.
\nBy walking in a group, becoming aware of the built environment, educating about their value, and uncovering layers of the past, there is also the opportunity for spontaneous interaction, new discoveries, dialogue of opposing perspectives, and lived experiences. This is exactly what a city should fundamentally be\u2014a space for encounters, the acceptance of “the other”, and the possibility of realizing one’s individuality. Neighborhoods, small scales, as the city’s lifeblood, are particularly significant in this regard; they are woven from collections of unique memories of each resident, interwoven in space. Shaping the city, the city, in turn, shapes us.<\/div>\n
<\/div>\n
Ana-Marija Senfner, M.A. in Art History and M.A. in Sociology<\/div>\n
<\/div>\n
Urbanizmo<\/strong>
\nVolov\u010dicakoro<\/strong><\/div>\n
I paramis sakone dizakiri si kompleksnikani, kotorvali, voj si savaxt ani reinterpretacia, gindljaripe thaj pu\u010daripe e neveskoro vaj pale bisteripe e purane kotorengiri. O thanipe e dizakoro khuvel \u0161pe e kontradiktornipasa, arakhipa e ververipasa, maripasa kon ka avel ko rad\u017eipe, ano savo e fizikane strukture keren lipardipe ke vakerde baripena ano terminirime vaxtikano kotor. Leindoj ko dikhipe i sociologikani perspektiva, o trubutnipe va\u0161e aktivnikane leipa thana e dizutneskere ani dinamika e dizutnikane d\u017eivdipaske, ano palpalunipa e turistikane legarutnjakoro Lana Bunjevac nakhel katar premisa e d\u017eanlipaskoro te ovel pend\u017earkerdo o thanipe savo so si trujal amende sar cxidutni nukta va\u0161e durederutne aktivipa. Ano fokuso si \u010dhivdo o direktikano trujalipe e Galeriakoro \u010cipotnjakoro, deindoj la konteksto thaj deindoj buvleder piktura va\u0161o historikano thaj urbanistikano barjovipe e dizakere kotoreske saveste isi les pozicia.
\nPrekal o phiripe ko thana ko kvarto Volov\u010dica, Lana xarneste sikavel e manu\u0161enge peskiri rola sar turisto, vakerel va\u0161i historia e objektongiri, ververikane artikane \u010ditre katar lengoro ovipe save so ni\u0161ankerde thaj avdive keren adava so si, deindoj len \u0161ajdipe va\u0161o jkh nevo dikhipe e thanipaskoro, numaj thaj va\u0161o haljovipe e kompleksnikane procesoskoro ki urbanizacia, savi so si dikhli thaj ko buvleder dizakoro tkivo.
\nPhiripasa ani grupa, minsipasa ko tamirime trujalipe uzal o educiripe va\u0161o lengoro baripen, pu\u010daripasa e deutnipasa e historiakoro, del pe thaj \u0161ajdipe ki jekh bizorali inerakcia, neve pu\u010daripa, dialogo e mamujalutne perspektivengoro thaj d\u017eivutne nakhlipa. Thaj sa adava so i diz ko plo butipe trubul te ovel, poligono va\u0161e arakhipa e manu\u0161engere, o leipe e \u201eavereskoro\u201c thaj o \u0161ajdipe te ovel kerdo individualnikano realiziripe. E kvartoja, tikne napia, sar thaj e dizakere damaria save so khuvena, majbut si bareder ano adava dikhipe, von si kerde katar e khedipena katar jekhutne lipardipa sakone dizutneskoro, katle ano tzhanipe. Kerindoj i diz, vov iranel amenge thaj kerel amen.<\/div>\n
<\/div>\n
Ana-Marija Senfner, mag. hist. art. et mag. soc.<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”+Komentatorica+”][vc_column_text]\n

Uz izlo\u017ebu \u201cPoezija Drage Gervaisa\u201d<\/p>\n

Va\u017eno (iako u medijskom prostoru zanemareno) polje suvremenog problematiziranja odnosa rije\u010di i vizualnog, likovna je kritika. \u201cEseji o slikarstvu\u201d francuskog filozofa i knji\u017eevnika Denisa Diderota smatraju se prete\u010dom likovne kritike jer autor, kroz vlastite izvje\u0161taje o izlo\u017ebama \u2013 Salonima, raspravlja o knji\u017eevnosti, umjetnosti i umjetni\u010dkoj gesti, upli\u0107u\u0107i pritom osobno stajali\u0161te u kriti\u010dki sud temeljen uglavnom na tome svi\u0111a li mu se pojedini rad ili ne, \u0161to je s dana\u0161njeg stajali\u0161ta problemati\u010dno. Suvremena pozicija kriti\u010dara ovisi o njegovoj upu\u0107enosti u aktualna dru\u0161tvena, politi\u010dka, umjetni\u010dka i druga zbivanja te sposobnosti da vlastito \u201c\u010ditanje\u201d vizualne kulture, prenese publici.<\/p>\n

No, odnos teksta i \u201cslike\u201d izaziva interes jo\u0161 od antike. \u201cUt pictura poesis\u201d (u prijevodu: Neka poezija bude kao slika) poznat je Horacijev stih rimskog pjesnika kojim ovaj autor poziva na pauzu u naraciji u obliku slikovitog opisa, a \u010dija je zada\u0107a opustiti slu\u0161atelja (kasnije \u010ditatelja), u napetom misaonom procesu. I upravo se to tuma\u010di kao po\u010detak dvojbe u narednim razdobljima o tome je li slika nadmo\u0107na nad tekstom ili ona tek zavodi duh. Pravi interdisciplinarni izazov donosi prijelaz iz 19. na 20. stolje\u0107e kada promi\u0161ljanje o tekstu i njegovoj vizualnoj mo\u0107i postaje temelj za poigravanje umjetni\u010dkim izri\u010dajem. Pa, primjerice, poema \u201cBacanje kocki nikada ne\u0107e ukinuti slu\u010daj\u201d francuskog pjesnika St\u00e9phanea Mallarm\u00e9a, koja nagla\u0161ava vizualnost pri \u010ditanju, inspirira konceptualnu umjetnost, a \u201cKaligrami\u201d Guillaumea Apollinairea primjer su istra\u017eivanja osjetilnog svijeta kroz kreiranje slika od stihova. U dana\u0161nje, slikovitim sadr\u017eajima optere\u0107eno vrijeme, pravi je izazov privu\u0107i pa\u017enju \u010ditatelja, a zada\u0107a kulturno-umjetni\u010dkih sadr\u017eaja je da ga (vizualno) opismeni na tom putu.<\/p>\n[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]

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