{"id":11540,"date":"2024-10-16T17:31:55","date_gmt":"2024-10-16T15:31:55","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=11540"},"modified":"2024-11-04T13:06:36","modified_gmt":"2024-11-04T12:06:36","slug":"music-mission-visionasya-fateyeva28-11-2024-u-19-30kazalisna-dvorana-centra-knap","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/music-mission-visionasya-fateyeva28-11-2024-u-19-30kazalisna-dvorana-centra-knap\/","title":{"rendered":"MUSIC \u2013 MISSION \u2013 VISION<br>ASYA FATEYEVA<br>28. 11. 2024. u 19.30<br>Kazali\u0161na dvorana Centra Knap"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][image_with_animation image_url=&#8221;11550&#8243; image_size=&#8221;full&#8221; animation_type=&#8221;entrance&#8221; animation=&#8221;None&#8221; animation_movement_type=&#8221;transform_y&#8221; hover_animation=&#8221;none&#8221; alignment=&#8221;center&#8221; img_link_large=&#8221;yes&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;20&#8243;][vc_column_text]<strong>28. 11. 2024. u 19.30 Kazali\u0161na dvorana Centra Knap<br \/>\n<\/strong><\/p>\n<p><strong>ASYA FATEYEVA, saksofon<\/strong> (Kraljevina Nizozemska \/ Njema\u010dka)<br \/>\nAsya Fateyeva, saksofon<br \/>\nStepan Simonian, klavir<\/p>\n<p><strong>Faz\u0131l Say: <em>Suita za saksofon i klavir<br \/>\n<\/em><\/strong><em>Allegro<br \/>\n<\/em><em>Andante<br \/>\nPresto<br \/>\n&#8220;Ironic&#8221;<br \/>\nAndantino, quasi lullaby<br \/>\nFinale. Presto<\/em><\/p>\n<p><strong>Luciano Berio \u2013 arr. Claude Delangle: <em>Sequenza VIIb,<\/em> za sopran saksofon<\/strong><\/p>\n<p><strong>Thomas Sleeper: <em>Sonata za klavir i alt saksofon (Seven Deadly Sins)<br \/>\n<\/em><\/strong><em>Sloth, Envy, Greed<br \/>\n<\/em><em>Lust, Gluttony, Hate<br \/>\n<\/em><em>Pride<\/em><\/p>\n<p><strong>William Albright: <em>Sonata za alt saksofon i klavir<br \/>\n<\/em><\/strong><em>Two-Part Invention<br \/>\n<\/em><em>La follia nuova: a lament for George Cacioppo<br \/>\n<\/em><em>Scherzo &#8220;Will o&#8217; the wisp&#8221;<br \/>\n<\/em><em>Recitative and Dance<\/em><\/p>\n<p>Saksofonistica <strong>Asya Fateyeva<\/strong>, ro\u0111ena na Krimu, glazbenica je izuzetnih vje\u0161tina \u010dije izvedbe vode instrument u nove avanture. Izvodi originalna djela za saksofon i obrade baroknih, klasi\u010dnih i romanti\u010dnih skladbi. Bavi se projektima koji uklju\u010duju jazz, suvremenu i world glazbu, \u010dime pro\u0161iruje svoje horizonte i suradnje s raznim umjetnicima. Sebe vidi kao multikulturalnu i svestranu glazbenicu &#8211; njezino muziciranje i umjetnost sjedinjuju razli\u010dite utjecaje. Bilo da se radi o baroknom programu, Bachovim <em>Goldberg varijacijama<\/em> obra\u0111enim za violon\u010delo, harmoniku i saksofon, glazbi iz 1920-ih Erwina Schulhoffa i suvremenika ili susretu orgulja i saksofona \u2013 sve je mogu\u0107e! Kao klasi\u010dno \u0161kolovana saksofonistica, jedna je od vode\u0107ih predstavnica svog podru\u010dja te dobitnica brojnih nagrada. Godine 2014. postala je prva \u017eena koja je stigla do finala presti\u017enog natjecanja <em>Adolphe Sax<\/em> u Belgiji, osvojiv\u0161i tre\u0107e mjesto. Glazbeni kriti\u010dar Harald Eggebrecht napisao je za <em>S\u00fcddeutsche Zeitung<\/em>: \u201eU Debussyjevoj <em>Rapsodiji <\/em>za saksofon i klavir, mlada Asya Fateyeva svira alt saksofon s takvom elegancijom i samopouzdanjem da je ljepota zvuka koji stvara o\u010daravaju\u0107a.\u201c Iza nje su nastupi s orkestrima kao \u0161to su Deutsches Symphonie-Orchester Berlin, Simfonijski orkestri SWR-a, MWR-a, G\u00f6ttingena, Bochuma i Wuhana, Be\u010dki simfonijski orkestar, Moskovski virtuozi, Dresdenska filharmonija, Orkestar Beethoven iz Bonna, Dr\u017eavni orkestri iz Frankfurta i Kassela, te s dirigentima me\u0111u kojima su Robin Ticciati, Dirk Kaftan, Michael Sanderling, Kristjan J\u00e4rvi, John Axelrod, Vladimir Spivakov, S\u00e9bastien Rouland, Christoph-Matthias Mueller, Vladimir Fedosejev i dr. Gostovala je na uglednim festivalima u Mecklenburg Vorpommernu, Dresdenu i Schleswig-Holsteinu (\u010dija je sredi\u0161nja umjetnica 2024. godine), Heimbachu te na MDR Musiksommer. Ve\u0107 sa 15 godina u\u0161la je u klasu prof. Daniela Gauthiera na Visokoj \u0161koli za glazbu i ples u K\u00f6lnu. Usavr\u0161avala se u Francuskoj kod Claudea Delanglea i Jean-Denisa Michata, uz napredne studije komorne glazbe u Hamburgu. Predaje klasi\u010dni saksofon na Visokoj \u0161koli za glazbu u L\u00fcbecku i Visokoj \u0161koli za glazbu i kazali\u0161te u Hamburgu.<\/p>\n<p>Vi\u0161e na: <a href=\"https:\/\/www.asyafateyeva.com\/\" target=\"_blank\" rel=\"noopener\">asyafateyeva.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Hvaljen kao \u201ejedan od najve\u0107ih tuma\u010da Bachova opusa svoje generacije\u201c, pijanist <strong>Stepan Simonian <\/strong>studij je po\u010deo na moskovskom Konzervatoriju <em>\u010cajkovski<\/em> kod Pavela Nersessiana te nastavio u klasi Evgenia Koroliova na Visokoj \u0161koli za glazbu i kazali\u0161te u Hamburgu. Dobitnik je srebrne medalje na Me\u0111unarodnom natjecanju <em>Johann Sebastian Bach<\/em> u Leipzigu 2010. Tako\u0111er, laureat je pijanisti\u010dkih natjecanja <em>Virginia Waring<\/em> i <em>Jose Iturbi<\/em> u SAD-u te <em>Aram Ha\u010daturijan<\/em> u Armeniji. U Hamburgu mu je 2009. godine dodijeljena presti\u017ena <em>Berenberg Cultural Prize<\/em> kao priznanje za postignu\u0107a u komornoj glazbi. Gostuje na nekima od najva\u017enijih festivala i koncertnih dvorana Europe, uklju\u010duju\u0107i <em>Bachfest Leipzig, La Roque d&#8217;Antheron<\/em> i <em>Piano aux Jacobins<\/em> u Francuskoj, Mosel Music Festival, ProArte Hamburg, <em>Pro Musica Hannover<\/em>, Alte Oper Frankfurt\/Main, Grosse Sendesaal Hannover, Laieszhalle i Rolf-Liebermann-Studio u Hamburgu, Prinzregententheater u M\u00fcnchenu. Kao solist nastupao je uz Bach-Collegium Stuttgart pod vodstvom Helmutha Rillinga, Orkestar baleta Kirov, Hambur\u0161ki simfonijski orkestar pod vodstvom Davida Porcelijna, orkestre Sinfonia Varsovia i I Pomeriggi Musicali iz Milana, Moskovski dr\u017eavni komorni orkestar i Komorni orkestar Mendelssohn iz Leipziga. Njegov prvi nosa\u010d zvuka, na kojemu je zabilje\u017eio sve Bachove tokate, kriti\u010dari su ocijenili najvi\u0161im pohvalama. Profesor je na Visokoj \u0161koli za glazbu i kazali\u0161te u Hamburgu.<\/p>\n<p>Vi\u0161e na: <a href=\"https:\/\/www.stepansimonian.com\/\" target=\"_blank\" rel=\"noopener\">stepansimonian.com<\/a>[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;60&#8243;][vc_column_text]\n<p style=\"margin-top: 0cm;\"><span style=\"color: #676767;\"><span lang=\"HR\" style=\"background: white;\">Turski pijanist i skladatelj <\/span><b><span lang=\"HR\">Faz\u0131l Say<\/span><\/b><span lang=\"HR\"> (Ankara, 1970.) prisutan je na me\u0111unarodnoj glazbenoj sceni gotovo trideset godina. Tra\u017eeni je autor \u010dije su skladbe naru\u010divale Salzbur\u0161ke sve\u010dane igre, WDR i Festival u Schleswig-Holsteinu, Sve\u010dane igre u Mecklenburgu-Zapadnom Pomorju, Konzerthaus iz Be\u010da, Dresdenska filharmonija, Fondacija Louisa Vuittona, Komorni orkestar <i>Orpheus<\/i> i BBC. <b><i>Suitu za saksofon i klavir <\/i><\/b>skladao je<b><i> <\/i><\/b>2014. godine na poticaj legendarnog japanskog saksofonista Nobuye Sugawe s kojim ju je i praizveo u Tokiju. Rije\u010d je o virtuoznom djelu \u010diji su stavci nadahnuti turskom glazbom, ritmovima, plesovima i folklorom.<\/span><\/span><\/p>\n<p style=\"margin-top: 0cm;\"><span style=\"color: #676767;\"><b><span lang=\"HR\">Luciano Berio<\/span><\/b><span lang=\"HR\"> (1925. \u2013 2003.) autor je iznimnog ciklusa od \u010detrnaest virtuoznih skladbi za solo instrumente pod nazivom <i>Sequenze<\/i>. <b><i>Sequenza VIIb<\/i><\/b> pripada grupi za monodijske instrumente u kojima autor istra\u017euje latentnu polifoniju koja se dijelom temelji na brzim prijelazima izme\u0111u razli\u010ditih elemenata i njihovoj istovremenoj interakciji. U <i>Sequenzi VIIb <\/i>autor stvara platformu za slo\u017eene zvu\u010dne strukture instrumenta (izvorno oboa) s uvijek prisutnom tonikom. Skladba je nastala 1969. za oboista Heinza Holligera. <\/span><\/span><\/p>\n<p style=\"margin-top: 0cm;\"><span lang=\"HR\" style=\"color: #676767;\">Glazba ameri\u010dkog skladatelja i dirigenta <b>Thomasa M. Sleepera<\/b> (1956. \u2013 2022.) \u010desto se opisuje kao nevjerojatno tajanstvena, bogata lirikom, lebde\u0107ih melodija. Svoju <b><i>Sonatu za klavir i alt saksofon (Seven Deadly Sins)<\/i><\/b> skladao je 2014. za pijanista Santiaga Rodrigueza i saksofonista Dalea Underwooda koji su ju praizveli iste godine uz video projekcije skladateljeve supruge, vizualne umjetnice Sherri Tan. <\/span><\/p>\n<p style=\"margin-top: 0cm;\"><span lang=\"HR\" style=\"color: #676767;\">Skladatelj, pijanist i orgulja\u0161<b> William Albright <\/b>(1944. \u2013 1998.) u svojemu je stvarala\u0161tvu spajao elemente tonalitetne i atonalitetne klasi\u010dne glazbe s ameri\u010dkom popularnom glazbom i glazbama drugih, ne-zapadnih kultura. <b><i>Sonata za alt saksofon i klavir <\/i><\/b>tijekom<b><i> <\/i><\/b>\u010detiri stavka pokazuje razli\u010dite karaktere i stilove, uklju\u010duju\u0107i reference na skladateljske postupke iz pro\u0161losti, kao u dvodijelnoj invenciji prvog stavka, te aluzije na ameri\u010dku popularnu glazbu, primjerice <i>bebop <\/i>u finalu. U sredi\u0161tu <i>Sonate<\/i> je drugi stavak \u2013 tu\u017ealjka za iznenada, 1984. godine (kada je i nastala <i>Sonata<\/i>), preminulim skladateljem Georgeom Cacioppom. <\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; disable_element=&#8221;yes&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; gradient_type=&#8221;default&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_gallery type=&#8221;flickity_static_height_style&#8221; images=&#8221;9703,9708,9707,9706,9705,9704&#8243; flickity_spacing=&#8221;default&#8221; flickity_controls=&#8221;pagination&#8221; flickity_overflow=&#8221;hidden&#8221; flickity_wrap_around=&#8221;wrap&#8221; flickity_box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; onclick=&#8221;link_image&#8221; img_size=&#8221;full&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;1&#8243; custom_height_tablet=&#8221;10&#8243; custom_height_phone=&#8221;20&#8243;][vc_column_text css=&#8221;.vc_custom_1699024796783{margin-right: 20px !important;}&#8221;]\n<p style=\"text-align: right;\">Photo: @matija.jimi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":11550,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,63],"tags":[],"class_list":{"0":"post-11540","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-koncerti","8":"category-music-mission-vision"},"_links":{"self":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/11540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/comments?post=11540"}],"version-history":[{"count":5,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/11540\/revisions"}],"predecessor-version":[{"id":11613,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/posts\/11540\/revisions\/11613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media\/11550"}],"wp:attachment":[{"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/media?parent=11540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/categories?post=11540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.knap.hr\/centar\/wp-json\/wp\/v2\/tags?post=11540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}