{"id":11529,"date":"2024-10-16T17:19:53","date_gmt":"2024-10-16T15:19:53","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=11529"},"modified":"2024-11-07T12:28:41","modified_gmt":"2024-11-07T11:28:41","slug":"music-mission-visionmatthew-barley21-11-2024-u-19-30kazalisna-dvorana-centra-knap","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/music-mission-visionmatthew-barley21-11-2024-u-19-30kazalisna-dvorana-centra-knap\/","title":{"rendered":"MUSIC \u2013 MISSION \u2013 VISION
MATTHEW BARLEY
21. 11. 2024. u 19.30
Kazali\u0161na dvorana Centra Knap"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11553″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][divider line_type=”No Line” custom_height=”20″][vc_column_text]MATTHEW BARLEY, violon\u010delo, elektronika (Velika Britanija) <\/strong><\/p>\n

Mavin Khoo, plesa\u010d na ekranu
\nYeast Culture, video dizajn
\nTim Grabham, animacija i likovni dizajn
\nNick Hillel, producent video dizajna
\nMJ Holland, video programer i operator
\nWill Good, ton majstor<\/p>\n

Matthew Barley: Light Stories<\/em>, za violon\u010delo solo i elektroniku uz video projekcije <\/strong>(hrvatska praizvedba)<\/p>\n

1. dio<\/strong><\/p>\n

Uvod; sanjanje o budu\u0107nosti, naivno, iz onih mjesta mog djetinjstva koja su \u010desto bila zamu\u0107ena i tajanstvena, ali ipak s puno mladena\u010dkog samopouzdanja.<\/p>\n

Matthew Barley: Spell
\n<\/em><\/strong>Matthew Barley: The Dreaming
\n<\/em><\/strong>Matthew Barley: Cathedrals and Caves<\/em><\/strong><\/p>\n

Johann Sebastian Bach: Preludij <\/em>iz Suite br. 6 u D-duru za solo violon\u010delo<\/em>, BWV 1012<\/strong><\/p>\n

2. dio<\/strong><\/p>\n

Putovanje po\u010dinje, susreti s \u010dudnim bi\u0107ima, stranim zemljama, suo\u010davanje s opasno\u0161\u0107u, \u0161irom otvorenih o\u010diju, adolescent.<\/p>\n

Jan Bang:\u00a0Implanted Memories
\n<\/em><\/strong>Giovanni Sollima:\u00a0Hell 1<\/em> iz: Songs from the Divine Comedy
\n<\/em><\/strong>Anna Meredith:\u00a0Moonmoons
\n<\/em><\/strong>Anna Meredith: Blackfriars<\/em><\/strong><\/p>\n

3. dio<\/strong><\/p>\n

Po\u010dev\u0161i od nelagode, opasnost raste sve do trenutka najve\u0107e opasnosti, s klasi\u010dnim bijegom od smrti u posljednjem trenutku dok se sve raspada.<\/p>\n

Matthew Barley: Unravelling
\n<\/em><\/strong>Joby Talbot: Motion Detector
\n<\/em><\/strong>Matthew Barley: In the Crosshairs
\n<\/em><\/strong>Matthew Barley: Timefolding<\/em><\/strong><\/p>\n

4. dio<\/strong><\/p>\n

Iscjeljivanje se doga\u0111a u podru\u010dju duha, kao i tijela, srca i uma.<\/p>\n

John Metcalfe: Constant Filter
\n<\/em><\/strong>Matthew Barley: Full, Empty<\/em><\/strong><\/p>\n

5. dio<\/strong><\/p>\n

S mudro\u0161\u0107u ste\u010denom \u017eivotnim lekcijama, vra\u0107aju\u0107i se ku\u0107i u miru na slavlje i ples.<\/p>\n

Matthew Barley: The Unwaiting Sky<\/em><\/strong><\/p>\n

Glazbeni svijet Matthewa Barleya nema geografskih, dru\u0161tvenih ili stilskih granica. Njegove aktivnosti u izvedbi, improvizaciji, me\u0111udisciplinarnim projektima, skladanju i pionirskim programima zajednice razvile su se u jedinstvenu eklekti\u010dnu me\u0111unarodnu karijeru. The Times<\/em> ga je opisao kao \u201enajpustolovnijeg violon\u010delista na svijetu\u201c. Jednako se ugodno osje\u0107a kada izvodi \u017eeljezni klasi\u010dni repertoar i improvizaciju, kao i u no\u0107nom klubu ili amazonskoj pra\u0161umi: \u201eSre\u0107om radim ono o \u010demu sam sanjao kao dijete, poku\u0161avam prona\u0107i na\u010din da sviram glazbu koju volim \u2013 tako da sura\u0111ujem, improviziram, udru\u017eujem, aran\u017eiram i preslagujem.\u201c Studirao je na Guildhall School of Music & Drama u Londonu i Moskovskom konzervatoriju, a sada se i sam bavi pedagogijom podu\u010davaju\u0107i klasi\u010dne glazbenike improvizaciji. Godine 2023. osnovao je Zakladu Barley Arts<\/em> s ciljem realizacije nesvakida\u0161njih koncerata i projekata te za pomo\u0107 mladima u pobolj\u0161anju mentalnog zdravlja kroz kreativnost. Svirao je u mnogim glasovitim svjetskim koncertnim dvoranama, te je praizveo djela skladatelja kao \u0161to su Pascal Dusapin, James MacMillan, Thomas Larcher, Dai Fujikura, Detlev Glanert i Nitin Sawhney. Nastupao s Amjadom Ali Khanom, Matthiasom Goerneom, sestrama Labeque, Sir Donaldom Runniclesom, Marin Alsop, Martinom Fr\u00f8stom, Avijem Avitalom, Viktorijom Mullovom, Jonom Lordom (Deep Purple) i Nederlands Dans Theater. Snimao je za Signum Classics i pojavljivao se na televiziji i radiju diljem svijeta. Svira violon\u010delo Giulia Cesarea Giglia iz Rima (oko 1750.). \u017divi u Londonu sa suprugom, violinisticom Viktorijom Mullovom.<\/p>\n

Njegov najnoviji projekt, Light Stories<\/em><\/strong>, prvi je put predstavljen u londonskom Southbank Centru 28. rujna 2024. godine te je objavljen u digitalnom izdanju za Signum Classics. Rije\u010d je o pri\u010dama iz autorova \u017eivota ispri\u010danima kroz glazbu i video materijal, o njegovu osobnom putu ka iscjeljenju, o potrazi i nala\u017eenju smisla u stvaranju glazbe.<\/p>\n

\u201eLight Stories <\/em>(Svjetlosne pri\u010de<\/em>) ro\u0111ene su iz \u017eelje da se ispri\u010da osobna pri\u010da zvukom i slikom: pri\u010da o doga\u0111aju iz moje tinejd\u017eerske dobi koji je gotovo tragi\u010dno zavr\u0161io, kada sam si poku\u0161ao oduzeti \u017eivot tijekom psihoti\u010dne epizode izazvane predoziranjem drogom, i kasnijeg iscjeljivanja glazbom i terapijom.<\/p>\n

Godinama sam \u017eelio skladati i to se pokazalo kao idealni pokreta\u010d za taj novi aspekt bivanja glazbenikom. Glazba je gotovo sva za violon\u010delo u vi\u0161e kanala, ali tu su i zvukovi sintesajzera, udaraljki, klavijatura i brazilskih svirala koje opona\u0161aju pjev ptica.<\/p>\n

Knjiga Sedam temeljnih zapleta<\/em> Christophera Bookera ocrtava arhetipske pri\u010de koje sami sebi pri\u010damo, a jedna od njih, Putovanje i povratak<\/em>, posebno je odjeknula, pa sam svoju \u017eivotnu pri\u010du podijelio u petnaest dijelova, pridru\u017euju\u0107i svakom dijelu re\u010denicu ili dvije da je sa\u017emem. Zatim sam skladbe iz svog repertoara povezivao s tim poglavljima, a tamo gdje nije bilo korespondiraju\u0107e glazbe sam skladao novu.<\/p>\n

Video dizajnera Yeast Culture uklju\u010duje ples Mavina Khooa, unose\u0107i ljudski element u \u0161irok raspon slika \u010desto inspiriranih prirodom.\u201c (Matthew Barley)<\/p>\n

Vi\u0161e na: matthewbarley.com<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”flickity_static_height_style” images=”9703,9708,9707,9706,9705,9704″ flickity_spacing=”default” flickity_controls=”pagination” flickity_overflow=”hidden” flickity_wrap_around=”wrap” flickity_box_shadow=”none” image_loading=”default” onclick=”link_image” img_size=”full”][divider line_type=”No Line” custom_height=”1″ custom_height_tablet=”10″ custom_height_phone=”20″][vc_column_text css=”.vc_custom_1699024796783{margin-right: 20px !important;}”]\n

Photo: @matija.jimi<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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