{"id":11459,"date":"2024-10-09T11:03:53","date_gmt":"2024-10-09T09:03:53","guid":{"rendered":"https:\/\/www.knap.hr\/centar\/?p=11459"},"modified":"2024-11-20T07:47:17","modified_gmt":"2024-11-20T06:47:17","slug":"mia-starkzbornik-pogleda18-10-5-11-2024","status":"publish","type":"post","link":"https:\/\/www.knap.hr\/centar\/mia-starkzbornik-pogleda18-10-5-11-2024\/","title":{"rendered":"Mia \u0160tark
Zbornik pogleda
18.10. \u2013 5.11.2024."},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11460″ image_size=”full” animation_type=”entrance” animation=”Fade In” animation_easing=”default” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][divider line_type=”No Line” custom_height=”30″][vc_column_text css=”.vc_custom_1728464606655{margin-top: 15px !important;}”]\n

Mia \u0160tark<\/strong>
\nZbornik pogleda<\/strong><\/em>
\n18.10. \u2013 5.11.2024.<\/strong><\/p>\n

U \u0161etnji, odmoru na obli\u017enjoj klupici ili kakvoj \u201epromatra\u010dnici\u201c, bu\u010dne misli se prorje\u0111uju, dah usporava, a tijelo prizemljuje. Ti\u0161ina \u0161ume, brzina rijeke ili \u0161um vlastitih koraka, poti\u010de i osjetilo vida da se primiri, da se odmori na zelenilu kro\u0161nje, plavetnilu neba, bistrini vode.<\/p>\n

Osvrnemo li se polako oko sebe, odmaknemo li se od optere\u0107enja vizualnim sadr\u017eajem, kojemu smo svakodnevno izlo\u017eeni, uspostavljamo novi ritam odnosa u uobi\u010dajenim radnjama. Pauza je dragocjenija od tijeka zbivanja. Ti\u0161ina od govora, a fokus od \u2013 \u010dega? Kako<\/em> gledamo u dana\u0161nje vrijeme? Polaze\u0107i od problematiziranja toga, za suvremeno doba nerijetkog pitanja, umjetnica Mia \u0160tark izlazi na pozornicu i preuzimaju\u0107i poneka prezentacijska obilje\u017eja slavnih i uvjerljivih primjera video konferencija, usmjerava na\u0161 pogled, donose\u0107i niz savjeta za opreznije konzumiranje svakodnevnih informacija. Forma je to izvedbenog predavanja na mra\u010dnoj sceni bez dodatnog sadr\u017eaja \u2013 potencijalne zamke za budno oko spremno prije\u0107i na neki drugi izvor privla\u010denja pozornosti. Fokus je na predava\u010dici nagla\u0161enoj jednim izvorom svjetlosti koji prati njezine kretnje. Posebnost je ove koncepcije u aktivaciji publike, pozivu da se uklju\u010di u radnje kojima svjedo\u010di te ih prisvoji transformiraju\u0107i se u izvo\u0111a\u010da, makar i samo kroz smijeh kao reakciju na neobi\u010dne ili apsurdne pokrete, koji bi trebali pomo\u0107i u usvajanju i ja\u010danju tehnike za \u201eusmjereniji\u201c pogled. Posjetitelj prvo prati, a zatim ponavlja \u2013 iz mraka odjednom izviru suptilne sjene koje stvaraju uzdignute ruke u gibanju, glave u okretu, tijelu u rotaciji.<\/p>\n

Govore\u0107i, a potom i izvode\u0107i duhovite upute, autorica nas poziva da preispitamo vlastite obrasce pona\u0161anja, no pritom ne ulazi u samu problematiku razlikovanja pojmova \u201egledanja\u201c, \u201evi\u0111enja\u201c ili \u201epromatranja\u201c, koje odjeljujemo prema stupnju anga\u017eiranosti subjekta u odnosu na predmet pa\u017enje te iskustva koje pritom povezuje s njime. Njezin je cilj naprosto osvijestiti, dopustiti pogledu da putuje po detaljima, teksturama, prazninama. Inspiraciju nalazi u radovima starih majstora \u2013 majstora pogleda, ili \u010distim linijama i bojama arhitektonskih ostvarenja autora iz druge polovice 20. stolje\u0107a, no ponajvi\u0161e u pristupu zanemarenih u\u010ditelja \u2013 na\u0161ih starih. Komi\u010dan je to i neo\u010dekivan element u ovom radu. Preporuka mudre bake, pripadnice generacije koja (je) vrijeme provodi(la) u prirodi te obra\u0107a(la) pozornost na okolne svakodnevne pojave, ideja je vodilja instruktorice<\/em> ovog nedefiniranog umjetni\u010dko-\u017eivotnog podru\u010dja.<\/p>\n

Format izvedbenog predavanja, na granici umjetni\u010dkog i teorijskog polja, nastoji pru\u017eiti druk\u010diji tip spoznaje. I dok se tjelesni pomak lak\u0161e uo\u010dava jer ljudsko oko brzo skenira sve oko sebe, govorni aspekt jednako je va\u017ean jer poti\u010de gledatelja na dodatan napor. Oslanjaju\u0107i se na lik takozvanog la\u017enog pripovjeda\u010da, autorica preispituje raznolike oblike olakog upijanja podataka. Pasivni primatelji tako postaju aktivni sudionici zbivanja oko sebe i dinamike promjena unutar sebe \u2013 promjena potaknutih usporavanjem i osvje\u0161tavanjem slika prikupljenih u (vizualnim) zbornicima intimnih stanja.<\/p>\n

Ivana Zavr\u0161ki<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][toggles style=”minimal”][toggle color=”Default” heading_tag=”default” heading_tag_functionality=”default” title=”BIOGRAFIJA”][vc_column_text]\n

Mia \u0160tark (1992., Osijek) interdisciplinarna je umjetnica koja se izra\u017eava kroz medij crte\u017ea, grafike, suvremenog plesa, performansa i videa. Diplomirala je na Odsjeku likovne kulture pri Akademiji za umjetnost i kulturu u Osijeku, modul grafika te je zavr\u0161ila preddiplomski studij suvremenog plesa na Odsjeku za ples pri Akademiji dramskih umjetnosti u Zagrebu. Mia aktivno djeluje na likovnoj i izvedbenoj sceni te je svoje radove do sada predstavljala, izme\u0111u ostalog, u Zagrebu, Osijeku, Vara\u017edinu, Berlinu, Taipeiju, Cluj-Napoci.<\/p>\n

2021. godine njezin rad \u201cNije bolest sve \u0161to boli” nagra\u0111en je nagradom \u017eirija na izlo\u017ebi \u201cOne Su Tu” u Vinkovcima te dobiva priznanje na \u017eiriranoj skupnoj izlo\u017ebi GRISIAyouth. Djeluje kao slobodna umjetnica. \u010clanica je osje\u010dkog HDLU-a i Udruge profesionalnih plesnih umjetnika “PULS”.<\/p>\n

miaa.stark@yahoo.com<\/a><\/p>\n[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” 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